Features – Page 6
-
Behind The ScenesGetting personal: Why I stepped out from behind the camera for my covid memorial doc
Writer and director Catey Sexton on making Love and Loss: The Pandemic 5 Years On
-
-
Behind The ScenesHustle & Run, Channel 4
Director Jonny Madderson on exploring the fast and furriest world of flyball through the eyes of an underdog team
-
Behind The ScenesDevil in the Family: The Fall of Ruby Franke
Producer Holly Whiston on how Passion gained sensitive access to the Franke family
-
Behind The ScenesHow we brought nuance and compassion to the story of the last woman hanged in Britain
Antonia Gordon on why Silverprint wanted to explore what really happened to Ruth Ellis
-
Behind The ScenesVirdee, BBC1
Novelist AA Dhand on adapting his Virdee book series into an elevated thriller with a predominantly South Asian cast
-
Behind The ScenesHow we ignored the rejections to create a tricky but brilliant quiz format
Chalkboard TV exec producer Mike Benson on the challenges of bringing One Question to the screen
-
Behind The ScenesHow we built contributor trust to tell Boyzone’s difficult story
Executive producer Charlie Russell on exploring painful memories in Curious Films’ upcoming documentary Boyzone: No Matter What
-
-
-
Behind The ScenesHow I filmed undercover journalists exposing the far right
Director Havana Marking on the challenges and dangers of making a hard-hitting but beautiful film about anti-facist investigators
-
Behind The ScenesProtecting the secrets of Gavin & Stacey: The Finale
From surprise guest appearances to avoiding the paps, how James Corden, Ruth Jones and the crew pulled off the iconic sitcom’s final episode
-
FeaturesAshley Gething: ‘Telling the survivors’ stories helped release their pain’
Arrow Media director and producer of Tsunami: The Wave That Shook the World on taking survivors back to the scene of the 2004 tragedy
-
FeaturesDavid Singleton: One Day (Drama Republic and Focus Features for Netflix)
“It was brilliant and beautiful and heartwarming”
-
FeaturesRichard Middleton: The Day of the Jackal (Carnival Films for Sky Atlantic)
“This is a classy show that commands attention”
-
FeaturesMarian McHugh: The Traitors (Studio Lambert for BBC1 and other versions)
“No other show this year has had me constantly on the edge of my seat at every turn”
-
FeaturesJohn Elmes: Shōgun (DNA Films, FX Productions, Gate 34 Productions, Michael De Luca Productions for FX)
“The acting, the cinematography, the sheer beauty of the setting – it slaps”
-
FeaturesTom Williams: Ripley (Netflix)
“The thriller showcases breathtaking cinematography which transports you into Tom Ripley’s slowly crumbling world of luxury, deception, and danger”
-
FeaturesFleur Feeney: English Teacher (FX)
“I particularly enjoyed the nihilistic and, at times, psychologically torturous portrayal of the digital natives that are the younger half of Gen Z”
-
FeaturesPaul Weatherley: Industry (Bad Wolf for HBO and BBC1)
“The final episode took so many turns I really didn’t see coming”


















