Features – Page 54
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The Broadcast InterviewGreg Brenman and Roanna Benn, Drama Republic
Drama Republic’s co-founders talk to Robin Parker about their indie’s rapid rise, working with writers, and scoring two hits in the same week with Doctor Foster and An Inspector Calls
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Behind The ScenesAsian Provocateur, BBC3
The unpredictability of Romesh Ranganathan’s extended family was the making of our series, says series producer Ben Green
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Behind The ScenesOak Tree: Nature's Great Survivor, BBC4
Spending a year watching a tree slowly grow had its challenges, but this was the kind of privilege only BBC4 can provide, says Nic Stacey
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Behind The ScenesYou, Me & the Apocalypse, Sky 1
Sky 1’s new comedy-drama about the final days of life on Earth is filmed close to its Slough setting, but this location also doubles as Tennessee and Washington, discovers Olly Hunt
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Behind The ScenesBody Donors, Channel 5
Never let your best idea die. One day its time will come, as Paul Stead discovered.
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Behind The ScenesRooney - The Man Behind The Goals, BBC1
What kicked off as a sporting achievement documentary soon turned into an unexpectedly unguarded glimpse into the life of the man behind the tabloid headlines, says Tony Pastor
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The Broadcast InterviewAlan Hayling & Alex Cooke; Renegade
The team behind Don’t Tell The Bride and Drugs Live tell Matthew Campelli that creating successful mainstream formats gives them licence to explore meaningful projects
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The Broadcast InterviewWill Macdonald & David Granger, Monkey
Made In Chelsea indie bosses David Granger and Will Macdonald tell Peter White they have US primetime in their sights and are on the hunt for the next Don’t Forget Your Toothbrush.
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Behind The ScenesBoy Meets Girl, BBC2
There is no agenda to our transgender comedy, but the issue still required sensitive treatment, says Margot Gavan Duffy
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FeaturesToronto 2015: TV at film festivals
TV pilots, premieres and catch-ups are becoming must-haves for film festivals. Andreas Wiseman reports on a rapidly expanding trend.
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Behind The ScenesThe Catch, C4
Filming and living aboard a fishing boat for this fixed-rig doc threw up many challenges, but it also made for a very personal experience, says Jim Incledon
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FeaturesJekyll & Hyde, ITV
Talk of budgets often put a damper on your imagination when writing. On our ITV drama, that talk never happened, says Charlie Higson
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NewsThe Word: the show that shook up TV
A quarter of a century ago, C4 ushered in a new era of reality TV and unknowingly launched the careers of a generation of producers and executives. Peter White looks back at The Word
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FeaturesThe Word: the genesis
Oxford-educated Charlie Parsons started his career as a reporter on local newspaper the Ealing Gazette before becoming a researcher at LWT, and then series editor of Channel 4’s groundbreaking factual show Network 7 and arts magazine show Club X.
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FeaturesThe Word: the launch
The show launched on 17 August 1990 with guests including Brookside actor Bill Dean, Bond girl Maryam D’Abo and music acts The Farm and Adamski. It ran for 11 episodes at 6pm, playing host to LL Cool J, Pixies and The Charlatans, before it was switched to 11pm on 9 ...
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FeaturesThe Word gets serious
In series one, items included a piece on ex-criminals in the evangelical Christian ministry Power Team. The storytelling side was important to Parsons.
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FeaturesThe Word: series two
Sebastian Scott became the series editor for the second series, having worked with Parsons on Network 7. Scott came from Janet Street Porter’s BBC2 youth strand Def II and worked alongside series producers Boland, Lux and Richard Godfrey.
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FeaturesThe Word: creation of Planet 24
After series two, Parsons was offered the opportunity to pitch for The Big Breakfast. He and Alli partnered with Bob Geldof and Tony Boland, father of Murray Boland, to create Planet 24 and the new company beat a host of rivals to win the five-day live breakfast show.
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FeaturesThe Word: the controversy
Series three’s eclectic guests included Peter Stringfellow, Bill Hicks, Pamela Anderson and the Marquis of Blandford.
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FeaturesThe Word: The Hopefuls
The Hopefuls, a segment in which people offered to do ‘anything to be on TV’, from snogging a granny to licking armpits, is one of the most vividly remembered parts of The Word. Created by Sebastian Scott, it was taken on by Paul Ross.