Features
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Behind The ScenesVisualising evil: how we brought viewers into the world of John Smyth
Director Benedict Sanderson on the making of Passion Pictures’ See No Evil for Channel 4
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CommentNetflix’s takeover of Warner Bros is a threat to jobs and entertainment diversity
Head of Bectu Philippa Childs says the impact of the deal could go far beyond workers’ terms and conditions
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Behind The ScenesHow we tackled the scale and scales of The War Between the Land and the Sea
Bad Wolf executive producer Joel Collins on making a globe-spanning Doctor Who spinoff for the BBC
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Behind The ScenesHow we helped Nazanin Zaghari-Ratcliffe tell her story for the first time
Prisoner 951: The Hostages’ Story helmer Erica Gornall on working with a drama indie and the sensitivities of interviewing former captives
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Behind The ScenesHow True North bought Channel 4 a B&B on a daytime budget
Executive producer Julie Beanland on finding the perfect house for The Great B&B Challenge
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Behind The ScenesHow Adolescence was the inspiration for filming our Ed Sheeran special
Executive producer Ben Winston on the logistical hurdles of capturing the singer performing throughout Manhattan in one continual shot
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Behind The ScenesHow we tracked down Hitler’s DNA for C4
Blink Films creative director Dan Chambers on the detective work that went into making Hitler’s DNA: Blueprint of a Dictator
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Behind The ScenesHow One Tribe brought a 15th Century galleon back to life
Series director/director Catrin Evans on telling the story of A Ship Through Time
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Behind The ScenesWhy we went back to the story of Caroline Flack
Caroline Flack: Search for the Truth producer Jessie Versluys on Curious Films’ mission to overturn the narrative which outlived the presenter
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Behind The ScenesPlay Time: comedians, schoolchildren and 90 minutes to make a show. What could go wrong?
Robin Parker explores how Nanny Caddie set out to celebrate neurodivergence and creativity for ITV’s Fresh Cuts strand
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Behind The ScenesHow we wove eco-friendly themes into our kids’ adventure series
Jon Mason, creator and executive producer of 5’s Stan & Gran, on helping children find wonder in the natural world
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Behind The ScenesAileen: Queen of the Serial Killers - how ‘living in’ the archive brought our story to life
Director of Netflix features Emily Turner unpacks how she pieced together an archive-only feature doc to immerse the viewer
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Behind The ScenesHow we helped Daisy May and Charlie Cooper seek out the paranormal
Executive producer Lisa Clark on setting up the sibling comedy duo for hair-raising experiences on NightWatch
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The Broadcast InterviewInterview: Bad Wolf enters a new phase
How the Red Eye indie is adapting its budgets, but not its ambitions, in the face of funding challenges
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Behind The ScenesHagai Levi: Unpacking Etty’s global relevance
Creator on bringing his 10-year passion project about the work of WWII diarist Etty Hillesum to the screen in a post-7 October world
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The Broadcast InterviewKeith Le Goy: Unpacking SPT’s strategy for growth
Ahead of his Mipcom keynote, the SPT chairman talks industry stability, YouTube, linear and streaming opportunities
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Behind The ScenesHow Frauds set out to put a female twist on the heist genre
Suranne Jones, Anne-Marie O’Connor and Katie Kelly talk toxic female friendships and keeping tension high in their new ITV show
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Behind The ScenesHow we captured the love and chaos of the Osbournes’ last hurrah
Entertainment creative director Ben Wicks on adapting a planned series into a 1-hour tribute in the face of the late singer’s declining health
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Behind The ScenesHow we used AI to take a fresh look at one of Britain’s most intriguing murder cases
Editor and AI producer Sion Griffiths on navigating the quirks of AI to dramatise tantalising details for S4C’s Welsh language documentary
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Behind The ScenesHow Rex got rare access to US Navy fighter pilots — and what we did with it
Showrunner Karen Edwards on the painstaking process of ensuring Rex’s Top Guns: The Next Generation was more than just ‘jet porn’