Features – Page 41
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Behind The ScenesShaun The Sheep: The Farmer's Llama, BBC1
The challenge on our 30-minute Shaun The Sheep special was to broaden his world without alienating his fans - and meticulous planning of every last detail, says Jay Grace
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The Broadcast InterviewDavid Abraham, Channel 4
Channel 4’s chief executive tells Broadcast why he believes privatisation would have serious repercussions for some parts of the industry and sets out his views on terms of trade
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Behind The ScenesThe Murder Detectives, C4
We aimed to make our documentary more like a box-set to hook in younger viewers who rarely watch programmes on TV, says Dave Nath
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Behind The ScenesThe Age of Loneliness, BBC1
Finding 14 contributors prepared to bare their souls on camera wasn’t easy but we wanted to show how loneliness can affect people of all ages and from all walks of life
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The Broadcast InterviewJulie Gardner and Jane Tranter, Bad Wolf
Bad Wolf’s co-founders tell Robin Parker why Philip Pullman’s His Dark Materials trilogy embodies their mission statement - and what their adaptation will mean for Wales
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Behind The ScenesJFK & LBJ: A Time For Greatness, PBS America
With rare footage, secret recordings and a Morgan Freeman voiceover, we had everything - except our most important location, writes Alastair Layzell
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Behind The ScenesTeletubbies, CBeebies
The Teletubbies are back, but with their original outdoor set long gone, new producer Darrall Macqueen used models and CGI to recreate the magic, they tell Robin Parker
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Behind The ScenesUltimate Airport Dubai, National Geographic
Nights in a jail cell and takeaway cast-offs in a windowless bunker are a price worth paying for access to Dubai’s amazing airport, says Nick Metcalfe
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The Broadcast InterviewNick Curwin and Magnus Temple, The Garden
The fixed-rig pioneers talk to Chris Curtis about implementing a growth strategy while holding on to their core creative principles, life under ITV, and taking a ‘box-set approach’ to factual
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Behind The ScenesThe Frankenstein Chronicles, ITV
Olly Grant hears how the team behind ITV Encore’s detective spin on Mary Shelley’s Gothic masterpiece recreated 1920s London across 40 Northern Ireland locations
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The Broadcast InterviewBrian Hill and Katie Bailiff, Century Films
Film-makers Brian Hill and Katie Bailiff talk about putting are before profits and experimenting with form - even when producing more mainstream output
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Behind The ScenesBull, Gold
With no gallery and no audience to play to, UKTV’s new sitcom tried to take a more naturalistic approach to studio filming. Robin Parker reports
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Behind The ScenesKitchen Impossible with Michel Roux Jnr, C4
With the help of Michelin-starred chef Michel Roux Jr, we wanted to show that people with disabilities have the talent, ambition and will to succeed in the workplace, says series producer Sam Grace
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The Broadcast InterviewAlison Kirkham: giving BBC factual a shot in the arm
Alison Kirkham and her team want to work creatively with indies to bring ambitious projects to life.
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The Broadcast InterviewGreg Brenman and Roanna Benn, Drama Republic
Drama Republic’s co-founders talk to Robin Parker about their indie’s rapid rise, working with writers, and scoring two hits in the same week with Doctor Foster and An Inspector Calls
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Behind The ScenesGlitchy, ITV2
With spoof programmes like Sun, Sea And Sex With My Parents, we wanted to gently send up the contemporary TV landscape, says executive producer James Longman
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Behind The ScenesAsian Provocateur, BBC3
The unpredictability of Romesh Ranganathan’s extended family was the making of our series, says series producer Ben Green
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Behind The ScenesOak Tree: Nature's Great Survivor, BBC4
Spending a year watching a tree slowly grow had its challenges, but this was the kind of privilege only BBC4 can provide, says Nic Stacey
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Behind The ScenesYou, Me & the Apocalypse, Sky 1
Sky 1’s new comedy-drama about the final days of life on Earth is filmed close to its Slough setting, but this location also doubles as Tennessee and Washington, discovers Olly Hunt
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Behind The ScenesBody Donors, Channel 5
Never let your best idea die. One day its time will come, as Paul Stead discovered.