Features – Page 329
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FeaturesBeaver Falls
Full post on the 6 x 60-minute comedy drama series following three UK graduates at a US summer camp.
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FeaturesIngest: Digital delivery challenge
As TV moves from tape to file, playout firms are having to deal with a growing number of formats. George Bevir speaks to the main players about what it means for them - and their clients.
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FeaturesMetadata: The search for better data
Metadata is a key component in providing an efficient workflow, but the lack of a universal standard can prove challenging. George Bevir reports on the issues facing playout firms.
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FeaturesThe case for outsourcing playout
With broadcasters increasingly looking to attract new audiences around the world, Steve Fairbrother, techincal diretor at GlobeCast, explains why outsourcing playout to a service provider makes sense.
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FeaturesITVS: the low-key revolution
Kevin Lygo’s transformation of the production arm has been steady, rather than spectacular.
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The Broadcast InterviewZam Baring, Keo Films
Raising awareness of social issues and giving unseen communities a voice is key for Keo’s managing director. Balihar Khalsa reports.
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Behind The ScenesThe TA And The Taliban, Watch
Following the TA in Helmand was always a risk, but the realities of war really hit home when one of our team got shot, says Charlotte Man.
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FeaturesAllen Gregory, Fox (US)
Broadcast shines the spotlight on the new animated comedy starring Jonah Hill.
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FeaturesTraining: University of Salford
The BBC’s move to MediaCityUK at Salford Quays provides a ‘once-in-a-lifetime opportunity’, training providers claim. Jane Bainbridge finds out what’s on offer.
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FeaturesRichard Hammond's Journey to the Bottom of the Ocean
Deliver unique graphics and visual effects for a BBC science extravaganza
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FeaturesAlex: A Life Fast Forward
Complete full post on doc about Alex Lewis, a bone cancer sufferer.
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FeaturesBeaver Falls
Create a title sequence for the tongue-in-cheek drama about three graduates at a California summer camp.
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FeaturesCameron Pace: eyes on the UK
Cameron Pace Group chief executive Vince Pace tells Broadcast why the UK is well positioned for 3D, and why he thinks the BBC is like Transformers director Michael Bay.
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FeaturesHomeland, Showtime (US)
Broadcast shines the spotlight on one of Channel 4’s latest US acquisitions.
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The Broadcast InterviewNerys Evans, Channel 4
With more money to spend this year and potentially a new 9pm primetime slot, C4’s comedy commissioning editor is on the lookout for a broad range of talent.
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FeaturesUniting the kids’ TV lobby
While the children’s TV sector is reeling from what conference chair Anna Home called a “market failure”, indies are looking to replicate the success of shows like Horrible Histories. Catherine Neilan reports on the key themes from the conference
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The Broadcast InterviewJoe Godwin, BBC Children's
On stage at the Children’s Media Conference, the BBC Children’s director told Lisa Campbell about inclusivity, the move to Salford and the false distinction between “fun and worthy stuff”.


















