Features – Page 350
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The Broadcast InterviewFactual Q&A: Alison Sharman, ITV
ITV’s director of factual and daytime outlines what is on her commissioning wishlist.
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The Broadcast InterviewFactual Q&A: Hamish Mykura, Channel 4
The head of documentaries for Channel 4 outlines his commissioning wishlist.
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The Broadcast InterviewFactual Q&A: Andrew O'Connell, Channel 5
The head of factual for Channel 5 outlines his commissioning wishlist.
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The Broadcast InterviewDavid Green, DCD Media
The DCD chief executive wants half the super-indie’s business to come from the US by the end of next year, and is focusing on factual and drama to achieve it.
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FeaturesIn tune with clearance rights
As production companies seek to deliver their programmes across new forms of media, they are having to get to grips with the complex world of music licensing.
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FeaturesVeep, HBO (US)
Broadcast shines the spotlight on the forthcoming US political comedy from Armando Iannucci.
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FeaturesSony NXCAM 35MM
A new type of E-mount camcorder with a Super-35mm large-format CMOS sensor.
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FeaturesOld ways will have to change
The industry digests the implications of Miriam O’Reilly’s ageism claim against the BBC.
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FeaturesPreco Cooltouch DX-563A
A rack-mountable monitor with three 5.6-inch active-matrix TFT LCD screens plus loudspeakers in a pull-out-drawer configuration.
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FeaturesWhen Playboys Ruled the World
Provide full post facilities on a 62-minute documentary looking at the playboy lifestyle of British racing legends James Hunt and Barry Sheene
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FeaturesBeeny's Restoration Nightmare
To show the scale of the challenge facing Sarah Beeny in her restoration of a near-derelict stately home
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FeaturesThe Hulk, ABC (US)
Broadcast shines the spotlight on a new adaptation of comic book character The Hulk.
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The Broadcast InterviewMichael Carrington: Bringing comedy to kids’ TV
Turner’s chief content officer for EMEA says children’s broadcasters have been neglecting the live-action comedy genre, and this is something he is keen to change.
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FeaturesAn age-old issue for writers
Julian Fellowes has said he wrote Downton Abbey out of exasperation at TV’s attitudes towards older audiences. What will broadcasters learn from the experience? asks Paul Hoggart.
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FeaturesGame on for indies in Northern Ireland
HBO’s decision to shoot fantasy epic Game Of Thrones in Belfast is just the boost the local production sector needs, says Robin Parker.
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Behind The ScenesCoppers, Channel 4
Working with four police forces, Ben Rumney got unprecedented access to officers on the beat - and was right there when a demo turned violent.