All Indies articles – Page 217
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NewsImpossible scores Curiosity factual trio
Alexander Armstrong narrates history show as part of 22-hour order
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NewsExpectation’s Joe Fowler appointed factual development head
Credits include Murder 24/7 and Travels in Trumpland with Ed Balls
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FeaturesRoughcut options Nina Millns debut novel
Darly comic Goddesses forms part of indie’s push into drama
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Behind The ScenesThe Last Bus: scaling up Wildseed Studios’ high-concept drama idea for a Netflix budget
Creator Paul Neafcy and exec producers Jesse Cleverly and Miles Bullough on their killer robots series
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FeaturesConfidence high among N&R indies
Revenues are up 26% and out-of-London commissioning is expected to grow as broadcasters ramp up production following the end of lockdown
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FeaturesUK indies tap global demand for content
International commissions are now a crucial part of the mix as producers look to boost their revenues
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FeaturesFrench firms make a splash
Asacha enters the market with Red Planet and Wag deals, while Red Production Company dramas power StudioCanal’s growth
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FeaturesIndies upbeat as pandemic pain eases
The past couple of years have been tough, but turnover is rising and some positive changes brought about by lockdown are here to stay
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NewsLove lands C4 Contestable Pot show
Kids in the Wild format follows nine to 11 year olds as they fend for themselves
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NewsQuestion Team scores second run for Dave
Interstellar’s Richard Ayoade-fronted format to return for an eight-part run
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NewsBBC2 drama puts football sexual abuse in spotlight
Expectation single explores story of Andy Woodward, who helped expose the national scandal
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NewsE4 hands One Night Stand long-form commission
Hello Mary’s social-first show scores four-part run
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CommentCautious optimism as industry recovers
‘Given what we have all endured, there is much to celebrate in this year’s survey’
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NewsIndustry unites to offer online kids service for Ukrainian refugees
Pact gathers support for YouTube service for displaced children
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Behind The ScenesRescue: Extreme Medics, C4
Documenting real-life remote critical care was as extraordinary and dramatic as we hoped, says executive producer Iain Scollay