All International articles – Page 429
-
CommentWill poetry become the next ‘killer category’?
Discernible content trends exist even in a chaotic market, writes Rob Clark
-
NewsSky Atlantic signs comedy duo
Sky Atlantic has commissioned a Mrs Merton-style comedy chat show hosted by two American Jewish mothers.
-
NewsViacom to pilot gameshow with slo-mo action replays
Viacom is to pilot a pioneering 3D-ready physical gameshow that is co-produced by ITV Studios USA and Zig Zag USA.
-
NewsS4C strives to make a Welsh killing
S4C is hoping to turn Wales into the next Denmark by creating programming to be sold worldwide.
-
NewsWhite Heat to air in US
BBC dramas White Heat and Inside Men have been picked up for broadcast in the US.
-
NewsBBC3 to air US Don’t Tell the Bride
The US version of wedding format Don’t Tell the Bride is to air on BBC3.
-
Features
Zig Zag (National Enquirer)
British indie Zig Zag arrives at MipTV having signed up as the exclusive broadcast production partner of US celebrity gossip magazine National Enquirer.
-
FeaturesGalapagos (Atlantic/Sky)
With David Attenborough, Atlantic Productions has made serious inroads into the 3D production market – and fast.
-
Features
Falcón (Mammoth Screen/ITVS GE)
ITV is re-emerging as a player in the international drama space, thanks to the efforts of ITV Studios and its international arm, ITV Studios Global Entertainment (ITV Studios GE).
-
FeaturesPeppa Pig (Entertainment One)
Last month, Entertainment One Family announced that it had secured a slot for its pre-school show Peppa Pig on Gulli, the French free-to-air kids’ channel owned by Lagardère Active.
-
FeaturesMistresses (Ecosse Films/ABC)
Ecosse is riding high in the US right now thanks to a deal to adapt BBC1 drama series Mistresses as a 10-part series to air this autumn on ABC.
-
FeaturesThe River (Disney/itunes)
Disney has been collapsing broadcast windows for some time now, most memorably when it aired the finale of Lost in 59 territories within 48 hours of its US transmission.
-
FeaturesFriday Night Dinner (Greg Daniels/Big Talk/Popper Pictures)
NBC’s decision to greenlight a US version of Ricky Gervais and Stephen Merchant’s sitcom The Office in 2006 was a game-changer for UK comedy producers seeking a foothold in the US – and it came just at the right time.
-
FeaturesOne Born Every Minute (Shine International)
One of the things sometimes overlooked in the factual format business is that the ability to make a show is as important as the concept. However, an increasing number of UK content providers are marketing their expertise alongside their ideas.
-
FeaturesBig Fat Gypsy Weddings (Firecracker Films/Zodiak Rights)
Most of the big distribution outfits like to own a mix of in-house and third- party content; that way, they ensure a predictable pipeline of hours while also getting access to the best shows available in the market.
-
FeaturesTake Me Out (Fremantle Media Asia)
ITV dating show Take Me Out has had a few troublesome headlines in 2012. But the general consensus is that the Paddy McGuinness-fronted show has established itself as the spiritual Saturday teatime heir to Blind Date.
-
FeaturesAnger Management (Lionsgate/FX/TMG)
Do TV shows come any hotter than this? Bad boy Charlie Sheen in a sitcom called Anger Management, adapted from a hit film starring Jack Nicholson, and produced by Lionsgate (Mad Men) for US cable network FX.
-
Features
Meet the Parents (Objective Productions/All3Media International)
All3Media International has a large and fast-growing slate of scripted and entertainment formats, courtesy of the numerous independent production companies within its parent group.
-
FeaturesSpy (Hulu/Hat Trick international)
US on-demand service Hulu had been rumoured to be planning a UK launch, but its inability to get the necessary programme rights forced it to put that idea on ice. Nevertheless, the platform has proved to be an important partner for UK distributors seeking a US home for their content, ...
-
FeaturesLilyhammer (SevenOne/Netflix)
SevenOne International, the programme distribution arm of German media group ProSiebenSat1, has pulled off some significant deals recently, not least the sale of drama series Lilyhammer to on-demand behemoth Netflix.