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Stacey Dooley has revealed her reasons for venturing into a war zone for the first time following the launch of her Isis-themed BBC3 documentary.
The ‘power of Leo’ compelled film-maker Fisher Stevens to return to the theme of climate change. The actor opened doors and made the topic sexy too, he tells Manori Ravindran
A panel of experts discuss what progress has been made and what still needs to be done
Viceland’s UK ratings may not be giving its rivals sleepless nights, but general manager Guy Slattery says that bringing a new angle to broadcasting will reap rewards
Outrageous switches of tone are a key part of this contemporary supernatural story, but were hard to pull off, says Julian Murphy
Black Mirror executive producers Charlie Brooker and Annabel Jones talk to Robin Parker about where they get their ideas, binge-watching – and what Netflix brings to the table.
From different episode lengths to unusual aspect ratios, Black Mirror’s move from C4 to Netflix has given the production and post teams freedom to experiment. Robin Parker reports
Our brief was to achieve the feel and tone of scripted drama, without sacrificing authenticity - luckily, the natural world gave us some incredible original storylines, says Harry Marshall
A decade after its groundbreaking series, BBC Studios’ NHU is again using cutting-edge techniques and technology to take the viewer right into the world of animals.
Deep-sea filming is one of the toughest challenges in natural history. George Bevir hears how some of the genre’s leading producers have charted this hidden world
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