Picture and audio post-production, including the creation of a soundscape that conveys lead character Jo Gillespie’s confused state of mind as she attempts to find out who killed her husband.
Post LipSync Post
Client Mammoth Screen
Brief Picture and audio post-production, including the creation of a soundscape that conveys lead character Jo Gillespie’s confused state of mind as she attempts to find out who killed her husband.
How it was done The sound team, which included mixers Robert Farr and Tushar Manek, sculpted the sound with a combination of filters, reverbs and music to convey Jo Gillespie’s point of view.
This was achieved by manipulating real sounds with subjective elements, along with the use of music. It was essential to deliver a perfect balance of crystal-clear dialogue, sound effects and atmospheric sounds to help the audience become immersed in the story. Colourist Adam Inglis graded the series using Baselight. William Chetwynd completed the online edit on Avid DS.
Watch it Sunday, 9pm, ITV
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