Broadcast Tech – Page 47
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CommentJohn Cassy: It’s early days, but Apple’s virtual reality headset really could change everything
VR will bring in new ways of experiencing and telling stories – and the TV world must be prepared to evolve
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NewsPost-production uncovered: Union on The Banshees Of Inisherin (feature)
VFX house was sole vendor for Martin McDonagh film
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NewsPost-production uncovered: Bumblebee on Deborah James: Bowelbabe In Her Own Words (BBC2)
Dom James, head of post-production at Bumblebee Post Production, part of Zinc Media Group, reveals how they documented the last five years of Dame Deborah James’ life
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NewsPost-production uncovered: Goodbye Kansas on Carnival Row S2 (Prime Video)
VFX house provided 123 shots and over 50 character and environment assets for second series of fantasy show
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NewsPost-production uncovered: Molinare on Lewis Capaldi: How I’m Feeling Now (Netflix)
Molinare provided full post-production for the Pulse Films production
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NewsPost-production uncovered: ILM on Andor (Disney+)
Production VFX supervisor Mohen Leo and ILM VFX supervisor Scott Pritchard reveal the work behind the Star Wars series
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NewsPost-production uncovered: NVIZ on Matilda the Musical
The visual effects company provides a detailed description of its previz work on the Netflix production
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NewsPost-production uncovered: Flipbook on Black Slide (short-film)
It’s a story about a 12 year old boy on the cusp of puberty who breaks into a water park with his friend
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NewsPost-production uncovered: Goodbye Kansas on See (Apple TV+)
VFX house provided 50 shots for third series of Jason Momoa drama
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NewsPost-production Uncovered: I Am A Killer (The Finish Line for Netflix)
The Finish Line finishing artist Steve Alexander explains his work on the documentary series
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NewsPost-production uncovered: MPC on Guillermo Del Toro’s Pinocchio (Netflix)
VFX studio provided over 650 shots, including CG environments, stylized FX simulations and CG crowd simulations
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NewsPost-production uncovered: BlueBolt on My Policeman (Prime Video)
VFX house delivered 152 shots for 1950s drama starring Harry Styles and Emma Corin
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NewsPost-production uncovered: Storm on Hans Zimmer: Hollywood Rebel (BBC)
Picture finishing editor Paul Ingvarsson reveals the work behind bringing the composer’s story to screen
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NewsPost-production uncovered: Lux Aeterna on Our Universe (Netflix)
VFX house worked with the BBC Studios Science Unit on the six-part docuseries
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NewsPost-production uncovered: Vine FX on War Of The Worlds (Disney+)
VFX house worked on over 1,300 shots for series three
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NewsPost-production uncovered: Freefolk on Fate: The Winx Saga (Netflix)
Lead vendor completed 340 shots for second series
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NewsPost-production uncovered: UPP & Goldcrest on All Quiet On The Western Front (Netflix)
Goldcrest and Universal Production Partners worked with VFX studio DoublePlusGood on WW1 film
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NewsPost-production uncovered: The Embassy on Warrior Nun (Netflix)
Creative studio completed over 800 VFX shots for the show’s second series
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NewsPost-production uncovered: Union on Pistol (Disney+)
VFX house was the sole vendor for Danny Boyle’s Sex Pistols tale, producing over 600 VFX shots
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NewsPost-production uncovered: MPC on Pinocchio (Disney+)
MPC provided pre and postvis production as well as over 920 VFX shots