All Comment articles – Page 167
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CommentHMRC opens up on Christopher Lunn probe
HMRC’s meeting with 40 accountants last week offered a rare insight into the Christopher Lunn investigation and some important messages for freelancers, writes Jake Kanter.
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Comment
How to Pitch Transmedia
You have the most amazing transmedia project and a meeting with a potential financier… so how do you pitch it?, writes Triona Campbell.
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CommentA tale of two super-indies
Endemol is wobbling but All3 looks ripe for sale, says Kate Bulkley.
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CommentThe fight is on at Endemol
With so much at stake, a resolution to the financial woes will be found.
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CommentDon’t punish us producers for Panorama’s mistakes
Lessons can be learned from the Primark case, but let’s not overreact, says David Henshaw.
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CommentWarning: don’t overdo the hype
As Simon Cowell has discovered, not all publicity is good publicity, says Steven D Wright.
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CommentTaking the minimum wage debate one step further
Our new survey examines attitudes in TV and film to unpaid work, says Neil Percival
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CommentTVC outcry is short-sighted
Nostalgia cannot stand in the way of what’s best for the BBC, and us.
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CommentEd Forsdick: a tribute
Gallowgate TV managing director Ed Forsdick, who died last week very unexpectedly aged 45, was responsible for delivering some of the most difficult programmes, writes Charlie Parsons.
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CommentDon’t underestimate the brands
Morgan Spurlock’s new doc offers a cautionary tale, says Kate Bulkley.
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CommentHow to connect with viewers who don’t care about brands
We’ve gone from predictable linear TV to complete chaos, writes Christian Schroeder.
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CommentUnlocking the Kids Behind Bars
How do you tell the stories of some of the most troubled, and troublesome, kids in Britain? Emma Wakefield takes Broadcast behind the scenes of BBC3’s Kids Behind Bars.
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CommentBFBS: extreme engineering
Quentin Howard reveals the extreme engineering behind forces radio and TV service BFBS.
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CommentRobinson on the Myers Report
When it comes to sacred cows John Myers report into savings across the BBC’s popular music radio networks slaughters a whole field, but its findings will be popular with staff and listeners, writes Paul Robinson.
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CommentTelevision patience
As 2,000 eager delegates gather at Sheffield Doc/Fest, award-winning producer/director David Pearson recounts the experience of making the heart warming story of a new ‘buoy band’ with a collective age of 560, and explains why real ob docs deliver stories unlike anything else.
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CommentITV’s got talent for factual
Thought-provoking docs are nothing new for us, says Peter Fincham.
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CommentThe golden age of the documentary is now
Those who say the genre is in decline couldn’t be more wrong, argues Hamish Mykura.