Comment – Page 11
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Drama Village's decade proves doubters wrong
Birmingham base’s output has put drama at heart of daytime and nurtured many careers, says Will Trotter
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BBC Studios - it’s time for details
After more than a year without any answers, Jake Kanter says it is time the BBC coughed up the details of plans to commercialise its in-house production division.
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Right time for iPlayer relaunch
The world has changed since Project Kangaroo, says Kate Bulkley
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How do we move beyond the box in the corner?
Broadcasters need to find new ways to reach modern audiences, says Cassian Harrison
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BBC Children’s: riding two horses
BBC kid’s boss Alice Webb on opening up the entire BBC to young audiences via the iPlay service
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Broom Cupboard paved the way for CBBC as we know it
Phillip Schofield and co gave presentation a real point of difference, says Jamie Wilson
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Casualty at 30
Returning a life-time later to write and direct something that has become a hugely established machine felt a little crazy, says co-creator Paul Unwin
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Edinburgh will have political edge
The BBC’s future will be on everyone’s lips at this year’s festival
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Playing it safe is not an option
TV may have moved on from The Word, but risk-taking is essential
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Future-proofing BBC3
New-look BBC3 would allow for more, not less, creative risk-taking, says controller Damian Kavanagh
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Commercialising parts of the BBC is a fair compromise
Corporation should consider a hybrid model by monetising iPlayer, says Jonathan Guthrie
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All eyes turn to Germany
Nine Lives’ Cat Lewis takes a look at the much-touted German contribution system
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BBC North: a tale of two cities
Without investment, how can Newcastle match the success of Manchester? asks Alex Connock
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A shabby way to treat the BBC
The government’s attack is way off target, says Steven D Wright
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BBC right to consider its options
Plenty of people have been het up (Broadcast included) about both the manner in which the recent licence fee deal was conducted and the level at which it was set.
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BBC North: how we made the dream a reality
As BBC England boss Peter Salmon prepares for his new role as the first BBC Studios director, he reflects on the corporation’s achievements in Salford.
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Contestable funding offers a lifeline for childrens' TV
The government’s proposals for contestable funding is a welcome move, says Oli Hyatt.
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Time to challenge the government’s BBC agenda
The charter renewal green paper makes insidious reading for the BBC, but Jake Kanter argues that there is plenty of hope for Auntie yet.
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Digital strategy key for BBCW
Smart manoeuvring can help Davie meet targets, says Kate Bulkley
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Factual works best when comedy is part of the mix
Audiences want a dose of humour rather than an ‘expert lecture’, says Lucinda Axelsson