Comment – Page 11
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CommentReach for the sky in factual TV
As C4’s The Plane Crash shows, taking a risk pays, says Sanjay Singhal
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CommentDrugs Live: Twitter reaction
How the TV industry reacted to Channel 4’s ecstasy experiment on Twitter’s hashtag #drugslive
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CommentC4 tone proves a game changer
The legacy of the Paralympics is far greater than mere ratings.
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CommentPremium data equals premium advertising
C4 ‘loyalty scheme’ is good for broadcasters, advertisers and viewers, says Pedro Avery.
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CommentMore sex please C4, we’re missing out
After reading Barry McFlynn’s searingly honest polemic ‘What is Channel 4 actually for?’ I feel compelled to throw my hat into the ring and pose a question that has been bothering me for some time: C4, where has all the sex gone?
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CommentTime for C4 to do the Shuffle
Service should benefit viewers and boost revenue, says Kate Bulkley.
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CommentTime for a little C4 mischief
Broadcaster needs programmes that pack a punch to attract key audience.
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CommentC4's autumn crossroads
Following the launch of Channel 4’s autumn line-up, Balihar Khalsa questions how the new shows measure up to the broadcaster’s risk-taking ambitions.
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CommentHow Channel 4 News is preparing for the future
In a changing news landscape, we’ve set out three guiding principles, says Martin Fewell.
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CommentDelivering on C4’s promise
Our ‘mission with mischief’ is as important as ever, says David Abraham.
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CommentNothing Fawlty with viewers
Like it or not, gypsies and Essex girls are what audiences want to see
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CommentC4 reveals appetite for risk
Abraham’s recent moves signal a return to the broadcaster’s roots.
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CommentHugh’s Big Fish Fight, C4
As new Channel 4 series Hugh’s Big Fish Fight casts off, director and series producer Will Anderson takes Broadcast behind the scenes of the campaigning documentary.
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CommentIndian Doctor / Fry And Laurie Reunited / Four In A Bed
The Series Producers Association’s Andra Heritage and Carolyn Payne on NHS drama, nostalgia and eccentric Brits.
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CommentWhy Seven Days matters
It may have failed to blaze a trail with audiences, but Seven Days dominated discussion at the Sheffield Doc/Fest, writes Jake Kanter.