Comment – Page 4
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CommentWhy engaging a colourist early can elevate a series
Residence Pictures co-founder and colourist Paul Harrison explains why a colour grade is just as vital as performance, cinematography, or sound design
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CommentWhy in-person events need to be designed around the at-home experience
Hicham Chahine, Ninjas In Pyjamas Group co-CEO, reveals what the esports company has learned from prioritising the viewer at home
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CommentLeader: Trump troubles tipped Tim Davie over the edge
The energetic and determined DG has called time on his tenure after the cumulative pressure of controversy after controversy, writes Chris Curtis
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CommentMark Urban: The BBC must get a grip on its internal approach to tackling bias
Ex-BBC journalist Mark Urban on the workforce divisions at the root of what has become a deep crisis for the BBC
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CommentSky and ITV have been here before - so what’s changed?
The pay-TV giant’s former chief operating officer Mike Darcey explores whether the stumbling blocks which thwarted the deal 19 years ago still exist
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CommentWhat producers need to know after the Getty AI ruling
Benjamin Field, CEO of Deep Fusion Films, looks at the latest legal battle over AI and what it means
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CommentHow we impressed Hollywood with a $3k film produced in our garage
Navaz and Roman Dowling extensively used virtual production to produce Entrenched, a polished Star Wars fan film that has seen them gain work in film and TV
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CommentFatima Salaria: In difficult times, simple things make a difference
As resilience wears thin, we need to reach out and support each other
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CommentThe “speed of thought” era in TV and film production
Guy Gadney, co-founder and CEO of Charismatic.ai, looks at how AI could change production
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CommentIn an evolving media landscape, we must work together to amplify new voices
ITN Productions’ head of digital content Rubina Pabani on how the company is platforming new talent
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CommentAI should be seen as an asset for sport broadcasters, not an enemy
Pawel Osterreicher, CEO of ReSpo.Vision, looks at where AI could make a difference
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CommentHow Mipcom 2025 provided a new perspective
Blue Ant Studios’ Diane Rankin says adaptability and grit are delivering returns in a shifting landscape
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CommentWhy graphics need to be more than just aesthetics
Relo Metrics CEO Jay Prasad looks at the impact of Prime Video’s new Champions League graphics
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CommentMipcom 2025: a market of proactivity, partnerships and positivity
Like A Shot West boss Henry Scott shares his key takeaways from Cannes
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CommentAI from Greenlight to Glass: The implications for broadcasters
Kim Chua, partner at OC&C Strategy Consultants, specialist in media, broadcasting, and digital transformation, looks at how broadcasters should approach the technology
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CommentThere’s more than one way to win the brutal battle for attention
The YouTube revolution shouldn’t be ignored, but that doesn’t mean that distinctive long-form content can’t still deliver huge success
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CommentWhy we need to approach AI with a human agenda
Joe Lewis at The Voiceover Gallery says that when we embrace AI – not as a replacement, but as a tool – the future doesn’t feel quite as bleak
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CommentSociety – and our industry – needs action to combat normalised anti-Semitism
Executive producer Neil Grant calls for decisive action not platitudes, and warns colleagues are afraid to be open about their identity
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CommentThe Basics: From 30 lines to 8K UHD a brief history of television resolution
Darren Deans, media and broadcast marketing specialist, explores the evolution of television resolution
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CommentRachel Corp: None of us can save public service journalism alone
Trusted journalism has never been more important and the industry must adapt and collaborate to save it, the ITN chief executive says