Comment – Page 6
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How Data Is Empowering Innovation
Skip Levens explains how building modern technology infrastructures will aid the growth of AR, VR and VFX
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Adam Jacobs: Digital commissioning could offer freelancers hope in uncertain times
Traditional TV is struggling, but the digital content space is open for business - and it still needs freelancers
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Nick Swimer: There are some silver linings for PSBs in the Ofcom Media Nations Report
People are still watching PSBs’ content - but a long-overdue update to the due prominence rules will help to secure their position
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Why TV composers need to make Atmos their norm
Sefi Carmel, CEO of SphereTrax, on the benefits of the format
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Julie Fernandez: We are making progress on accessibility, but there’s still work to do
Disability access co-ordinators are vital if the industry wants to make real, sustainable change
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Scott Bryan: This year’s Edinburgh was fascinating, but not for the reasons you’d expect
Nobody seems to have the answers, Broadcast’s columnist concludes from a surprisingly downbeat TV Festival
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Fatima Salaria: Who are we to judge the choices that people make?
Whatever the reason for women stepping away from the industry, we need to do more to help them return to work
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Alex Connock: AI isn’t going to replace the human touch any time soon
The technology has upsides and downsides, but human insight and sensibility cannot be easily replicated
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Ash Atalla: Bad behaviour isn’t justified – no matter who you are
It’s time the industry held ‘stars’ to account – and acknowledged that everyone involved in a production has ‘talent’
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Is the sector nurturing the next generation of creative leaders?
Experience has been key to dealing with industry challenges, but should we be bedding in execs’ successors?
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How sports streaming can keep up with growing audiences
Shira Kadmon, program manager at Qwilt, looks at how live streaming can improve reliability
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My Top Tips for using AI-based VFX tools
Social media influencer Brandon Baum, founder and CEO of StudioB, explains how he uses a range of AI tools in his VFX work
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Diamond Data 6th Cut: why have we not made better progress?
The results are in and frankly they could be better, says Mel Rodrigues
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Insensitive true crime titles risk undermining important filmmaking
As channels rush to attract audiences with provocative titles, grieving families can be left feeling traumatised and powerless
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Accommodations for neurodiverse staff can benefit the whole industry
Runner Hassaan Mohammad reflects on how his experiences show that a little flexibility can go a long way
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Scott Bryan: There’s nothing wrong with a relaxed take on copyright
Stopping viewers from sharing footage on social media risks losing the buzz created by great TV moments
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Mike Darcey: The industry must not repeat the mistakes of newspapers
Broadcasters and streamers need to face up to the fact that the problems they face may be structural rather than cyclical
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Hot Shots continue to raise the bar
‘This year’s cohort are not just brilliant at their jobs, they are also people who have made a difference’
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The Rosie Jones doc: Why I advised Channel 4 to go with that title
Channel 4 disability consultant Ally Castle explains the thinking behind the controversial name
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What’s in a name? Provocative titles in the spotlight
Broadcasters are attempting to balance the need to stand out with the possibility of upsetting contributors or the public, says Chris Curtis