Comment – Page 126
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CommentCultural diversity is too important to give up on
Industry must change its mindset if equality, says Simone Pennant
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CommentOff Cuts at the Broadcast Digital Awards 2013
Attentional’s David Graham made the most of his photo booth sponsorship at last week’s awards extravaganza by trying out some new looks.
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CommentObituary: Alan Whicker
September Films’ David Green pays tribute to legendary broadcaster Alan Whicker, who passed away on July 12.
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CommentMiranda Sawyer: women on-air stats “shocking”
More proof of the lack of female voices on-air is revealed today with a study showing just one in five solo voices on radio is female.
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CommentIs Twitter suffocating comedy?
New and established talent must survive trial by social media, says Lisa Campbell
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CommentFlash the trash or aim for the stars?
Steven D Wright ponders the conundrum of whether your output matters after you’re dead
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CommentVaried kids’ media should not detract from quality
Children’s content needs our best efforts, whatever the medium, argues Reem Nouss
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CommentFrench factual market shows its Sunny Side
French market Sunny Side of Doc has a refreshingly international outlook, says Paul Heaney
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CommentIn defence of edit producers
The role of edit producer is part of factual TV’s evolution rather than just a cost saving measure, says David Berry
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CommentA modern approach to the BBC Proms
The BBC plans to cover this year’s Proms in a thoroughly modern way, writes Jan Younghusband
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CommentThe long story behing A Race Against Time
Indie producer Peter Williams reveals the four year battle to get a moving doc aired by the BBC.
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CommentKeep commissioner debate alive
The conversation must continue to improve indie relationships, says Lisa Campbell
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CommentCommercial radio: 40 years of big personalities
Paul Robinson casts an eye over Arqiva’s commerical radio power list
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CommentRatings take a leap forward
Cross-platform tracking will change the game, writes Kate Bulkley
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CommentViewers must be protected in the UK's airwave lottery
The rise of mobile should not limit the future of Freeview, says Caroline Thomson
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CommentController with a point to prove
Charlotte Moore’s appointment could be just what the BBC needs.
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CommentThe director’s vision is key at every stage
Edit producers have their place, but shouldn’t be used just to cut costs, says Paul Elston.
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CommentThe reality of reality TV casting
Ollie Scarth says the best shows recruit those not hankering to become the next z-list celeb.
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CommentThe magic of filming in Liverpool
Colin McKeown reels off the advantages of shooting in the north west.