Comment – Page 83
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CommentBig doesn’t always mean better
Don’t let drama’s scale fixation squeeze out the middle ground
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CommentBrexit: there is too much to lose
Leaving the EU would mean job losses, restricted access to talent and a tougher export market, argues David Johnson
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CommentWhy Let It Shine fails to light my fire
Broadcast news editor Jake Kanter turns the spotlight on BBC1’s search for the stars of a Take That stage musical.
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CommentEscape To The Chateau: filming a French fairytale
Ahead of its final episode on Sunday, director Paul Crompton blogs on the experience of creating and making Channel 4 series Escape To The Chateau.
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CommentTV isn’t lacking ballsy women
Is confidence the issue, or old-fashioned sexism? asks Steven D Wright
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CommentPublic service content fund should not be limited to TV
White paper should allow us to cater for children on all platforms, says Matt Deegan
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CommentLongevity doesn’t stop a show being ‘distinctive’
BBC leads the way in daytime schedules that offer quality viewing, says Dan McGolpin
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CommentThe production talent conundrum
BBC Studios and mega-indies share challenge of energising staff
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CommentDoc/Fest 2016: inspiring change
2016 is a year of far-reaching decisions. Some to be made by the people, some not. The EU referendum. The American elections. The future of public broadcasting.
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CommentWhy the documentary musical?
Century Films managing director Brian Hill on the reasons he returns to song-based films.
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CommentOvernights still have their place
In today’s fragmented viewing world, a shared metric is important
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CommentSingle docs provide a perfect opportunity to be distinctive
This genre can hold its own against its series counterpart and drama, says Alisa Pomeroy
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CommentHidden worlds of the rich will prove a bigger draw
Factual shows around benefits will take a back seat to luxury lifestyles, says Dan Whitehead
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CommentPlaying Netflix at its own game
Subscription app is a shrewd move for Discovery, says Kate Bulkley
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CommentWhy companies should be content with owning content
The roles of creator and distributor are becoming interchangeable, but you need to play to your strengths, says Dan Ison
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CommentThe South Bank Show: opening up the arts
The South Bank Show has become one of the most important cultural records we have, says Phil Edgar Jones
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CommentHow impartiality stifles debate
EU debacle highlights why we need a free press, says David Graham
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CommentVice is no longer the outsider
Brand needs to retain its values as it edges towards mainstream, says Chris Curtis
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CommentInternet force can be with us
The digital world moves at breakneck speed. One minute Candace Payne was out shopping in Texas, the next she’s appearing on James Corden’s The Late Late Show.