Comment – Page 101
-
CommentWhy reforming advertising rules could make PSBs masters of their own destiny
Nick Swimer says change to the limits on PSB advertising is overdue - but warns it may not lead to an increase in budgets
-
CommentThe beauty of a busy facility
Andrew K Moodie, lead editor at Woodcut Media, explains why facility-based editing works wonders for your career development
-
CommentTake the Looking Glass survey to help us improve the industry
As the deadline is extended, FTVC’s Alex Pumfrey explains that the Looking Glass Survey is the catalyst for real change
-
CommentWhat AI means for the future of broadcasting
Vinayak Shrivastav, CEO & co-founder of VideoVerse, gives his thoughts on the future of AI in the TV industry
-
CommentLouisa Compton: Glad to be gay is C4’s default setting
‘The channel has always been true to its remit by speaking to audiences that others don’t’
-
CommentGreat shows give succour, even as overnights tumble
Judging performance has never been trickier – but quality will always cut through, says Chris Curtis
-
CommentSports rights: the new battleground in the streaming wars
Jean-Christophe Pineault, sales manager, sports at MediaKind, on why sport will be the next frontier for the streaming giants
-
CommentHow AI can help re-engage a global news audience
With news appetites declining globally, Papercup CEO Jesse Shemen investigates new localisation options to help halt the slide
-
CommentTalent crisis won’t be solved by entry level recruitment
Richard Wallis and Christa van Raalte argue that it’s time to change the culture that allows an experienced workforce to leave the industry
-
CommentManaging bandwidth in remote production
Stephen Tallamy, CTO at EditShare, on one of the main challenges to remote production
-
CommentThe hair and makeup diversity divide
Cynthia De La Rosa outlines the three major problems facing talent of colour
-
CommentWhy the evolution of graphics is adaptive
Petter Ole Jakobsen, chief innovation officer of Vizrt, give his opinion on the future of graphics in broadcast
-
CommentBridging animation’s inclusivity gap
JoJo & Gran Gran animation producer Katherine McQueen calls for broadcaster budgets to help fund training for diverse talent
-
CommentLorraine Heggessey: Plaudits and awards don’t excuse bad behaviour
TV needs to get its house in order if it is to continue to attract the brightest and best creative talent
-
CommentRupert Binsley: The sky’s the limit for first-person drone technology
This new technique allows the kind of cinematic shots that could not previously have been achieved on a TV budget
-
CommentHow two deaf friends became Hunted competitors
Executive producer Lucy Shepherd talks casting, communication and cohorts
-
CommentDigital humans in the future of film
Goran Milic, Nils Lerin, Anton Söderhäll, and Jonas Törnqvist from VFX studio Goodbye Kansas Studios discuss the evolution of digital humans and how digital humans will affect identity, cinema, and society in the future
-
CommentFinding value in artificial intelligence
Dan Carew-Jones at Arrow International Media explains how covid-restrictions led to previously untapped opportunities using AI
-
CommentSports Content Summit: Diverse crew bring fresh perspective
The team behind Buzz16’s doc Micah Richards: Tackling Racism explain how the company’s approach to diversity helped create a powerful film
-
CommentCaught In the Net: Using graphics to demystify data
Ash Potterton, executive producer, Arrow Media, explains how cleverly crafted graphics help explain the role of digital data in solving a series of murders