Comment – Page 150
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CommenteSports makes a play for TV
Gaming could sit next to football on Sky or BT Sport, says Kate Bulkley
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CommentTV and online worlds collide
Netflix, touted for years as the bogeyman for linear broadcasters, is beginning to work closely with its traditional rivals in the latest phase of its global expansion.
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CommentThere has to be more to PSB VoD than catch-up services
Exclusive content is essential for continued growth, says Richard Davidson-Houston
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CommentDiversity targets must address creative roles
Yes, the BBC is making strides in diversity - but much of this is outside of British programme-making, says Simon Albury
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Comment‘Distinctive’ shows can be successful and risk-taking
Programmes like The Great British Bake Off must surely meet the criteria, says Cat Lewis
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CommentGovernment has the whip hand
But white paper was less painful than feared, says Steven D Wright
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CommentSocial media and TV is a marriage made in heaven
Social players’ push into video shouldn’t be grounds for divorce, says Kerry Taylor.
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CommentSetting the record straight on BBC diversity
The World Service must be a part of any discussion about diversity in the BBC, says Tunde Ogungbesan
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CommentCable convergence will deliver for consumers
US and European cable giants are quietly transforming the way we innovate, invest and connect, says Matthias Kurth
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CommentIs C4 meeting its remit?
As the government runs the rule over privatising Channel 4, Broadcast publishes extracts from a new book in which industry figures offer personal reflections on the challenges it faces
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CommentIndustry has been paying lip service to diversity
Ofcom must take lead role in monitoring equal opportunities in TV, says Simon Albury
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CommentWhat is the scheduling solution for a spooked BBC?
The new line of attack on the corporation may force it into submission, says Stephen Arnell
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CommentThere is no need to ‘fix’ C4
Broadcaster is succeeding without privatisation, says Kate Bulkley
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CommentDiversity is much more than skin colour and sexuality
We should add diversity of mind to the equation, says Sam Pollard
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CommentClearing the path for talent
We need to make a career in TV more accessible, says Bryan Elsley
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CommentPutting new talent on the right path
It’s time to untangle the often impenetrable routes in the profession, says Bryan Elsley
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CommentThe story behind a successful Korean co-pro
The Bridge founder Amanda Groom this week won an award for the Most Significant Contribution to the UK-Korea TV Creative Collaboration at an event organised by the London Korean Drama Club. Here she reveals the story behind RTS Award-nominated S4C film Tears of Blood, which was co-produced by a Korean ...