Comment – Page 2
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CommentWeekly: What I learned from my first rodeo at SXSW
What drew Blue Ant Studios’ Lilla Hurst to attend the Austin event and what did she find when she got there?
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CommentCold Haven: how Iceland is hotting up
Glassriver chief Andri Ómarsson on what the Nordic nation’s biggest prodco can teach the world
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CommentMip London & Screenings - The Great British Cocktail Party
Format expert Siobhan Crawford on Mip London and London TV Screenings
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CommentDanny Brocklehurst: Unique British comedy must not be allowed to disappear
Though our humour may not always travel, fresh and innovative stories about life in the UK remain vital
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CommentJack Thorne: let's think twice about using ‘showrunner’
Writer urges industry to take Tim Davie’s concerns about the term ‘talent’ a step further
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CommentEdinburgh 2024: a tale of class and company closures
Economic challenges make the urge to open up the industry even more compelling – but much harder, writes Chris Curtis
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CommentRachel Corp: Public service broadcasting is vital in these troubled times
ITN chief executive says misinformation-fuelled violence has highlighted the importance of trustworthy, accessible reporting
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CommentOpinion: John Balson wanted the industry to know freelancers are not 'expendable'
The Talent Manager’s Sarah Lee calls for the industry to reset its freelancer relations
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CommentWhy our comedy roundtable was a serious business
Re-establishing the genre’s place in the mainstream was a key topic of discussion at our decent debate sponsored by Pinewood TV Studios
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CommentCapital gains: The UK welcomes the world
The London TV Screenings has cemented its place in the industry’s calendar
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CommentHonoring the best of British TV
‘Big events, big shows and big brave programming bets have never felt so vital’
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CommentThe challenges of navigating a summer of discontent
Indies and freelancers face a tough period as inflation pushes up costs and commissioning falls, says Chris Curtis
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CommentSchedules and familiar shows take us back to the future
Clear release patterns and even clearer programme concepts appear to be the order of the day
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CommentWill Hanrahan: look to journalists when setting true crime standards
Established journalistic good practice balances ethical conundrums with exposing wrongdoing – so let’s not reinvent the wheel
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CommentCITV closure not surprising but ITV’s attitude to children’s TV is “unfathomable”
Children’s Media Foundation director Greg Childs says ITV’s approach is a “big mistake”
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CommentRichard Wallis: The voice of the production manager must be heard
The current talent shortage in production management is emblematic of a bigger challenge - and it’s time to find out more
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CommentMichelle Donelan: why I won’t sell C4
Exclusive: culture secretary reveals rationale for calling off previous regime’s privatisation plan
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CommentBBC and C4 must fight for their future amid political turmoil
A grown-up debate is required – but will the circumstances allow for a nuanced and intelligent exchange?
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CommentJules Hussey: why I quit producing
Ralph & Katie and Guilt producer sets out her reasons for focusing on fledgling indie Brazen
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CommentMarcus Ryder: Queen’s death has exposed UK media’s diversity problem
‘At important national moments such as these, it is vital that the whole country is represented in all its diversity’