Comment – Page 86
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CommentComment: It’s time to bring more influencers into sport broadcasting
Alma Fabiani, head of content at Screenshot Media
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CommentComment: Why I believe remote working is the future of post-production
Steve Good, technical director at Hireworks, explains why he believes post-production houses will need to continue to expand remote working
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CommentComment: AI & automation are key to the future of sport broadcasting
Spiideo co-founder and CEO Patrik Olsson believes AI can save budgets and allow for lower-tier leagues to boost quality
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CommentWhy & how VFX could use the tax rebate to boost diversity & inclusion
Simon Devereux, director and founder of Access:VFX, gives the case for using the money raised to encourage underrepresented talent into the industry
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CommentThe opportunities for podcasts in women’s sport
Louise Gwilliam, talent director at podcast production house Crowd Network, outlines how brands and teams can take advantage
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CommentJames Durie: How a Leonard Cohen biopic became a case study in co-pro
For So Long, Marianne, Cineflix had to bring on board 16 different funding partners to get the project over the line
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CommentWhat streaming platforms can learn from the year of sport
Anil Malhotra, CMO at Bango, looks at how UK streamers could learn from the US
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CommentPark the horror and hype and get hands on with AI
Artificial intelligence is a divisive subject, but in times of great change, it’s essential to keep an open mind, says Roy Ackerman
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CommentAdapting to Gen Z’s social viewing habits
Shaki Prasanna, Atomos creative collaboration director, looks at how broadcasters and production companies can keep up with new forms of content
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CommentWhat snooker can learn from other sports’ sonic branding
Paul Reynolds, SVP of global creative services at MassiveMusic, examines how the sport could improve its audio experience
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CommentHow to create the right conditions for creativity
Psychologist Janet Evans explains how to create the right environment for development
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CommentHow AI is enhancing the video experience
Stefan Lederer of Bitmovin lays out several areas where AI is currenly excelling in saving time and money in the media industry
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CommentSafety first in a new era for scripted
International editor John Elmes highlights the programmes likely to make the biggest splash in Cannes
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CommentThe Basics: A brief history of lighting in entertainment
Oliver Howe, duty operations manager at dock10, looks at the past and future of lighting in TV and film
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CommentHow next gen audio is transforming live sport
Yannick Olivier, lead broadcast engineer, France Télévisions, and Costa Nikols, strategy advisor, M&E, Telos Alliance, look at the future of sport audio
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CommentDown to the wire: broadcast-IP & sport rights negotiations
Paul Calleja, CEO of GlobalM, looks at how last-minute rights deals can complicate distribution
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CommentWhat do visualised podcasts mean for fiction?
To make audio fiction work financially, you have to understand its value & the challenges it poses, says Goldhawk Productions’ John Scott Dryden
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CommentWhat can broadcasters learn from sport podcasts' theme music?
Rick Sellars, head of creative direction at MassiveMusic, looks at how sport podcasts have sonically innovated
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CommentDanny Brocklehurst: There’s still a need for drama with a distinctly UK flavour
Shows with specifically British themes may lack global appeal, but it is vital that we keep making them
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CommentComment: How AI can be used to improve sport content
Aaron Edell, SVP of AI at Wasabi, explains how the combination of cloud object storage and AI is affecting sports content production