All Features articles – Page 102
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FeaturesHot Picks: Wolf Creek
Distributor Zodiak RightsProducers Screentime; Emu PicturesLength 6 x 60 minutesBroadcaster Stan (Australia)The horror genre has been slashing through the schedules of broadcasters around the world for several years, with series such as The Walking Dead and American Horror Story becoming incredibly valuable franchises.Zodiak Rights will hope ...
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FeaturesHot Picks: Intersection
Turkey has quietly become one of the fastest-growing exporters of drama outside of the US and UK.
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FeaturesHot Picks: You, Me, Her
Polyamory is an unlikely topic for comedy. The practice – intimate relationships involving more than two people – is generally more suited to risqué psychological dramas such as Eyes Wide Shut.
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FeaturesHot Picks: The Writer
Israel is known for high-stakes political thrillers such as Prisoners Of War (remade as US hit Homeland), False Flag and Hostages.
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FeaturesHot Picks: Hooten & The Lady
Hooten & The Lady is an ambitious adventure series, described as ‘Moonlighting set in the jungle’, or an ‘updated take on Romancing The Stone’. Just don’t call it the new Indiana Jones.
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FeaturesHot Picks: The Secret
What could make two pillars of the community – a well-respected dentist and a Sunday school teacher – ditch their normal lives to become cold-blooded killers? That’s the question posed by Hat Trick’s three-part drama for ITV, The Secret.
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FeaturesHot Picks: The Secret Agent
The latest example of BBC1’s commitment to high-quality drama is a glossy adaptation of Joseph Conrad novel The Secret Agent.
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FeaturesHot Picks: Victoria
It seems unfair that Queen Victoria has become cemented in 21st century minds as the double-chinned, cranky looking sourpuss depicted in pictures of the time.
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FeaturesHot Picks: Marcella
The meteoric rise of dark Scandinavian dramas including The Killing and Borgen paved the way for Swedish writer Hans Rosenfeldt to create global smash The Bridge in 2013.
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Behind The ScenesEddie Izzard: Marathon Man, BBC3
Eddie Izzard’s Sport Relief challenge was an endurance test for the production team too, says executive producer Nick Catliff
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Behind The ScenesMaigret, ITV
For ITV’s new Maigret adaptation, Ealing Studios recreated 1950s Paris in Budapest. Olly Grant met the cast and crew on set.
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Behind The ScenesBritain's Whales and Sharks, ITV
We had to wait 18 months for a whale to wash up on our shores, says Sarah Cunliffe. Then the sharks turned up…
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Behind The ScenesGuy Martin's Wall Of Death: Live, C4
Guy’s death-defying attempt at breaking a world record live on air had to be put on hold when our fearless star almost killed himself in a motorbike accident, says Ewan Keil
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FeaturesDiversity: writing and directing
Tackling the lack of diversity in writing and directing TV needs more than lip service. Robin Parker reports on efforts to get new voices in front of producers and commissioners
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Behind The ScenesCan't Touch This, BBC1
Getting a commission turned out to be the easy bit - the real test was losing our location and having to build three new sets in a building with a leaky roof, says Stellify’s joint managing director Matthew Worthy
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FeaturesGame on for sport OB firms
Outside broadcast suppliers are in a race to upgrade to Ultra High Definition and IP as the technology teeters on the cusp of becoming mainstream.
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The Broadcast InterviewJay Hunt, C4
C4’s chief creative officer talks to Jake Kanter about the broadcaster’s transformation in the eyes of indies, creative risk-taking and the potentially ‘catastrophic’ effects of privatisation
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Behind The ScenesBehind Closed Doors, BBC1
Our film is a testament to the brave domestic violence victims who chose to speak openly about their ordeal, says Erica Gornall
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FeaturesComedy roundtable: keeping comedy fresh
Comedy hits can help to define a channel, but are new ideas losing out to safer bets, ‘funny factual’ and an inflated drama slate? Robin Parker asks five leading comedy producers
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Behind The ScenesTwo Doors Down, BBC2
When you have naturally funny performers like Doon Mackichan, Elaine C Smith and Sharon Rooney in your cast, you’d be crazy not to take their opinions on board, says Simon Carlyle