All Features articles – Page 104
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The Broadcast InterviewAlan Hayling & Alex Cooke; Renegade
The team behind Don’t Tell The Bride and Drugs Live tell Matthew Campelli that creating successful mainstream formats gives them licence to explore meaningful projects
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FeaturesDavid Kosse, Film 4
Film 4 director David Kosse and his team talk Andreas Wiseman through the company’s direction, its roster of up-and-coming directors and future projects.
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FeaturesQuantel Snell's shot in the arm
Quantel Snell chief executive Tim Thorsteinson tells George Bevir why people and products are key to putting some energy back into the business following the merger of the two technology firms.
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Behind The ScenesSinging in the Rainforest, Watch
Taking western pop stars to remote places to make music with the locals seemed like a brilliant idea - the problem was finding anyone prepared to go, says Helen Nightingale
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The Broadcast InterviewWill Macdonald & David Granger, Monkey
Made In Chelsea indie bosses David Granger and Will Macdonald tell Peter White they have US primetime in their sights and are on the hunt for the next Don’t Forget Your Toothbrush.
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FeaturesThinking outside the suite
A raft of cloud technology is changing the face of post production, offering everything from editing to storage, and allows a flexible approach to content production.
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FeaturesDan'l Hewitt, Maker Studios
With 55,000 channels, 11 billion video views and a £340m sale to Disney, Maker Studios is a serious online player - but its sights are now set on traditional TV.
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Behind The ScenesBoy Meets Girl, BBC2
There is no agenda to our transgender comedy, but the issue still required sensitive treatment, says Margot Gavan Duffy
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FeaturesOutside Broadcast
Growing demand for Ultra HD in live sport is driving change in OB technology, from IP delivery to remote production, writes Adrian Pennington
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FeaturesTV’s changing identity parade
What is the value of a TV channel brand in the digital era, and how is it best realised? Chris Curtis asked a panel of controllers, producers and branding experts
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FeaturesToronto 2015: TV at film festivals
TV pilots, premieres and catch-ups are becoming must-haves for film festivals. Andreas Wiseman reports on a rapidly expanding trend.
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Behind The ScenesThe Catch, C4
Filming and living aboard a fishing boat for this fixed-rig doc threw up many challenges, but it also made for a very personal experience, says Jim Incledon
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FeaturesPacked to the rafters
From Surrey to Scotland, the growth of high-end TV production is driving demand for UK studio space. Adrian Pennington looks at the new space coming on stream
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FeaturesDamian Kavanagh, BBC3
BBC3 digital controller Damian Kavanagh talks to Hannah Gannagé-Stewart about his ambitions for the channel and the challenges ahead as it moves online this autumn
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FeaturesJekyll & Hyde, ITV
Talk of budgets often put a damper on your imagination when writing. On our ITV drama, that talk never happened, says Charlie Higson
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NewsThe Word: the show that shook up TV
A quarter of a century ago, C4 ushered in a new era of reality TV and unknowingly launched the careers of a generation of producers and executives. Peter White looks back at The Word
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FeaturesThe Word: the genesis
Oxford-educated Charlie Parsons started his career as a reporter on local newspaper the Ealing Gazette before becoming a researcher at LWT, and then series editor of Channel 4’s groundbreaking factual show Network 7 and arts magazine show Club X.
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FeaturesThe Word: the launch
The show launched on 17 August 1990 with guests including Brookside actor Bill Dean, Bond girl Maryam D’Abo and music acts The Farm and Adamski. It ran for 11 episodes at 6pm, playing host to LL Cool J, Pixies and The Charlatans, before it was switched to 11pm on 9 ...
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FeaturesThe Word gets serious
In series one, items included a piece on ex-criminals in the evangelical Christian ministry Power Team. The storytelling side was important to Parsons.
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FeaturesThe Word: series two
Sebastian Scott became the series editor for the second series, having worked with Parsons on Network 7. Scott came from Janet Street Porter’s BBC2 youth strand Def II and worked alongside series producers Boland, Lux and Richard Godfrey.