All Features articles – Page 118
-
Features
Lily's Driftwood Bay, Nickelodeon
There was no room for compromise on a series crafted from objects found on the beach, says Colin Williams
-
The Broadcast Interview
Discovery: Susanna Dinnage
Discovery UK’s boss discusses how the broadcaster is moving beyond what people expect
-
Behind The Scenes
Wanted: A Family Of My Own, ITV
Claire Lewis discovered local government red tape was just one of the hurdles in following adoption cases
-
The Broadcast Interview
Helen Warner, ITV
ITV’s director of daytime is confident that Good Morning Britain can succeed where Daybreak failed
-
Features
Has BBC3 fulfilled its remit?
As the youth channel awaits approval for its move online, Stephen Price looks its performance over the past eight years
-
Behind The Scenes
Prey, ITV
Tom Sherry explains how a brilliant script forced Red to reinvent the production process
-
Behind The Scenes
Jamaica Inn, BBC1
The Cornish moors of Daphne du Maurier’s story were even more breathtaking than director Philippa Lowthorpe could have believed
-
Behind The Scenes
Jesus Mysteries, Nat Geo UK
We didn’t need a miracle but what we achieved on a modest TV budget wasn’t far off, says Justin Hardy
-
The Broadcast Interview
Richard Watsham, UKTV
UKTV is looking to shift its focus to entertainment and improving its indie relationships
-
Features
Africa's Giant Killers, BBC2
Filming lions and elephants over two years in Botswana, Brad Bestelink witnessed some extraordinary scenes
-
Features
Warren United, ITV4
This animated tale of football obsession is British through and through, says Tim Searle
-
-
Features
John Ryley, Sky News
The head of Sky News discusses his efforts to boost the number of female experts on screen
-
Behind The Scenes
Hercules The Human Bear, C5
Not even a stroke could derail our doc’s Hollywood ending, write David Sumnall and Paul Goodliffe
-
Features
Room for manoeuvre
It’s glass half full, glass half empty at the UK’s studios as tax rebates put a squeeze on space
-
Features
Inside C4’s training scheme
How the Investigative Journalism Scheme has helped Balihar Khalsa prepare for the world of current affairs
-
Behind The Scenes
Protecting Our Parents, BBC2
Filming showed the complexities of a system involving multiple agencies and budgets, says Alice Perman
-
Behind The Scenes
Dead Famous DNA, Channel 4
Our show took three years to make - and we didn’t know the outcome until the last minute, says Rob Davis
-
Behind The Scenes
Generation Cryo, MTV UK
We let the participants follow their own path on the journey to find their sperm-donor dad, says Ellen Windemuth
-
Features
How local TV is shaping up
How one of the biggest developments in British TV for decades is taking shape