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Shooting an entire programme on smartphones
Reality bursts the TV bubble
Building a studio from scratch in the middle of a field
‘This is about sustaining creativity’
Standing out from the digital crowd
Calling time on the Doctor
When the Nazis won the war
The presenter agreed to our doc on one condition: he wouldn’t cry for the camera
The team reflect on its inauspicious start and the reasons for its longevity
Sleight of hand in the edit helped illustrate this extraordinary story
Weeks to examine the challenges facing our hospitals.
More than 30 ultra-realistic ‘spy creatures’ took viewers into the animals’ world
Inside No. 9 producer Adam Tandy talks to George Bevir about creating a working 1970s drama set with period cameras and lighting for the return of the darkly comic anthology series
Rebooting the format a decade on allowed the use of much more powerful software
By rejecting the use of mini cams, gimbals and drones, we strove for visual honesty of life in the pits, says Wesley Pollitt
Stacey Dooley has revealed her reasons for venturing into a war zone for the first time following the launch of her Isis-themed BBC3 documentary.
A decade after its groundbreaking series, BBC Studios’ NHU is again using cutting-edge techniques and technology to take the viewer right into the world of animals.
Deep-sea filming is one of the toughest challenges in natural history. George Bevir hears how some of the genre’s leading producers have charted this hidden world
First we had to set some ground rules to ensure we got the kind of cinematic, high-stakes documentary we wanted. Then we had to find the right case, says Richard Bond
Filming a post-mortem for BBC3 took us on a long and emotional journey, but the result is an eye-opening documentary, says Melanie Archer
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