Features
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Behind The ScenesCo-ordinating a Very Country Christmas
Tern TV had to grapple with PM’s Whack-a-Mole strategy and spiritual donkey-related conundrums for BBC1 three-parter, says exec Brendan Hughes
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Behind The Scenes
Risking it all for C4’s Jungle Mystery: Lost Kingdoms of the Amazon
Our quest to document ancient rock art brought us face to face with Colombia’s most wanted man, says Paul King
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Behind The Scenes
Locked In: Breaking the Silence, BBC4
Filmmaker Xavier Alford on the cathartic experience of sharing the story of his illness
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Features
TriForce Creative Network: Banging the drum for diversity
Fraser Ayres, Jimmy Akingbola and Minnie Ayres on why the industry is finally taking diversity seriously
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Behind The Scenes
Exploring the World According to Grandpa
Creating a relaxed atmosphere for child actors in a Covid-19 world was no easy task, says exec producer Caroline Cherry-Roberts
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Behind The Scenes
How The Liberator revolutionises animated drama
Our technology has transformed Netflix and A E’s WWII drama into a unique live-action/comic book hybrid, says Greg Jonkajtys
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Behind The Scenes
How Spirit Studios revealed The Whole Truth
We braced for a social media reaction to our Channel 4 music-meets-mental health special, but only found positivity, says Matt Campion
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Features
Angels of the North: two industries, two Covid protocols
Beauty salon ob-doc presented production challenges
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Behind The Scenes
Small Axe: Lessons in black history
Tracing the stories of black West Indians over 16 years, director Steve McQueen’s new BBC1 series couldn’t be more relevant or timely
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Features
Focus Group: Coping with Covid-19
Our four panellists discuss the difficulties of producing in quarantine
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Behind The Scenes
Animation in lockdown: a new pace for stop motion
Every rule our animators use went out the window to create the second series of CBBC’s Scream Street, says Phil Chalk
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Behind The Scenes
Covid couldn’t stop us - try as it might
Sometimes it felt our BBC Wales drama The Pact would never get made, but we have made it into production, say Elwen Rowlands and Hayley Manning
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Features
Multichannel Production Company of the Year: Firecracker Films
Firecracker’s shows have a prominent place across UKTV, BBC Scotland and E4
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Features
Best Documentary Programme: Real Kashmir FC
‘A fantastic way to put BBC Scotland on the map’
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Features
Best Digital Support for a Programme: RuPaul’s Drag Race UK
‘A comprehensive and brilliantly executed campaign which ticked every box in the Digital Support playbook’
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Features
Best Short-Form Format: #FML - Most Racist Uber Ride Ever
‘Creative, funny, with great performances and a lot of charm’
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Features
Best Popular Factual Programme: Emma Willis: Delivering Babies
‘This is a channel-defining show that has cut through and continues to bring an audience to the channel’
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Behind The Scenes
Producing Inside the Tower of London from a distance
We had to remotely teach Beefeaters to become professional filmmakers to complete our C5 series during lockdown, says Sarah Sarkhel
