Features – Page 16
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FeaturesSpotlight on the UK Production Sector - The Key Players
A look at the biggest, and some of smallest producers active in Britain
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Features
The ‘True’ Indie Sector
BI takes a deep-dive into data extracted from the Broadcast Indie Survey
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Features
M&A activity in the UK Production Sector
Mega deals and indie sector consolidation contribute to rise in number of deals
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Behind The Scenes
Skint Britain: Friends Without Benefits, C4
Juxtaposing Westminster rhetoric with the reality of poverty unlocked uncomfortable truths about a pressing social issue, says David Hodgkinson
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Features
Best independent production company: World Productions
“Bodyguard was the talk of watercoolers and wine bars, bus stops and broadsheets”
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Features
Best original programme: Married to a Paedophile
“Technically outstanding, truly innovative and utterly coherent”
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Best specialist factual: The Football Club: Artist in Residence
“Two subjects I had no interest in totally blew me away. It was an intimate, surprising and moving journey”
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Features
Best pre-school programme: Pablo
“It opened up the world of a boy with autism in a gentle and caring manner”
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Features
Best documentary programme: The Fight For Mosul
“It humanises a story that is complex and difficult. The documentary is beautifully made with incredible access”
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Features
Best children's programme: My Life: Locked in Boy
“This was an exceptional documentary that gave a voice to a witty, talented and courageous boy”
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Behind The Scenes
Shipwrecked: Relaunching the original island reality show
The genre has moved on since the show last aired – but stunning locations and a terrific cast will help us rise to the challenge, says Kate Bates
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Behind The Scenes
Steph and Dom: Can Cannabis Save Our Son?, Channel 4
Over several months of embedded filming, executive producer Jon Lloyd and producer/director Erica Gornall saw a whole new side to the Gogglebox pair
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