Features – Page 32
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FeaturesBroadcast Indie Summit: Indies squeezed but still optimistic
Senior executives remain positive about the future of the sector despite spiralling inflation, talent shortages and stagnant domestic tariffs
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Behind The ScenesTan France: Beauty and the Bleach, BBC2
Line producer Lindsay Davies on making a special film on colourism
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Behind The ScenesRomeo and Duet, ITV
A speedy greenlight meant that financing our shiny floor format was our biggest hurdle, says Goat Films’ Mel Crawford
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FeaturesThe Indie sector speaks: how the sector coped with the pandemic
From broadcaster relationships to survival strategies, producers have their say from our Indie Survey 2022
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Behind The ScenesSAS: Who Dares Wins, C4
A new location and line-up takes our popular format into a new direction says executive producer Benjamin Leigh
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Behind The ScenesNikki Grahame: Who Is She?, Channel 4
A personal promise was at the heart of this intimate doc says executive producer Ollie Durrant
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Behind The ScenesBehind the Scenes: Trust No One, Netflix
Director Luke Sewell explains why a man wearing a fox mask didn’t feel out of place in this cryptocurrency-conspiracy doc
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FeaturesRoundtable: navigating the challenges of the drama boom
Belinda Campbell, Sarah Brown and Tally Garner discuss the impact of high global demand for the genre
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FeaturesRoughcut options Nina Millns debut novel
Darly comic Goddesses forms part of indie’s push into drama
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Behind The ScenesThe Last Bus: scaling up Wildseed Studios’ high-concept drama idea for a Netflix budget
Creator Paul Neafcy and exec producers Jesse Cleverly and Miles Bullough on their killer robots series
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FeaturesUK indies tap global demand for content
International commissions are now a crucial part of the mix as producers look to boost their revenues
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FeaturesConfidence high among N&R indies
Revenues are up 26% and out-of-London commissioning is expected to grow as broadcasters ramp up production following the end of lockdown
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FeaturesFrench firms make a splash
Asacha enters the market with Red Planet and Wag deals, while Red Production Company dramas power StudioCanal’s growth
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FeaturesIndies upbeat as pandemic pain eases
The past couple of years have been tough, but turnover is rising and some positive changes brought about by lockdown are here to stay
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Behind The ScenesRescue: Extreme Medics, C4
Documenting real-life remote critical care was as extraordinary and dramatic as we hoped, says executive producer Iain Scollay
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FeaturesBBC: Indie numbers down as broadcaster eyes future
Named joint best broadcaster to do business with alongside Channel 4