Features
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FeaturesHeather Fallon: Big Boys, Channel 4
‘It’s a beautiful tribute to a friend and a gentle reminder of how joyful life can be’
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Behind The ScenesVisualising evil: how we brought viewers into the world of John Smyth
Director Benedict Sanderson on the making of Passion Pictures’ See No Evil for Channel 4
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Behind The ScenesHow True North bought Channel 4 a B&B on a daytime budget
Executive producer Julie Beanland on finding the perfect house for The Great B&B Challenge
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FeaturesGallery: Summerwater, Channel 4
Selection of images from the six-part Freedom Scripted series set against the backdrop of a remote loch-side Scottish holiday cabin park
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Behind The ScenesHow we tracked down Hitler’s DNA for C4
Blink Films creative director Dan Chambers on the detective work that went into making Hitler’s DNA: Blueprint of a Dictator
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CommentHow collaboration helped Bakers Dozen catfish internet stars
Barbara Emile on creating Don’t Get Catfished for Channel 4.0
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FeaturesGanging up: Why Channel 4 believes the time is right to bring back sketch
Ahead of the launch of Mitchell and Webb Are Not Helping, C4’s Charlie Perkins and producer Gareth Edwards explain why we could all do with a laugh
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Behind The ScenesWhy making series two of Channel 4’s Jury: Murder Trial felt like pulling off a heist
Series director Misha Manson-Smith on how Screendog’s updated format allowed the team to make the second series even more immersive
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Behind The ScenesHow we turned a newspaper investigation into thrilling exposé for Channel 4
Wonderhood producer-director Joy Ash on how Poisoned: Killer in the Post tells the story of an online poison seller preying on vulnerable people
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FeaturesChannel of the Year: Sky Sports Main Event
Its emotional range of passion and pain, joy and sadness was enough match any scripted drama
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FeaturesBest Content Partnership or AFP: Super Surgeons: A Chance at Life
‘An extremely powerful, seriously high quality and important programme’
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FeaturesBest Current Affairs Programme: The Other War
‘Great talent – strong journalism, impactful. Forensic, feels trusted…’
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FeaturesBest Entertainment Programme: Married at First Sight UK
‘One of the most culturally impactful and engaged reality formats in the UK’
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FeaturesBest Short-Form Format: Minor Issues
‘The pacing was excellent, keeping the audience entertained throughout. The relatable content left a lasting impression’
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FeaturesBest Short-Form Documentary: I Printed a Gun: Plastic and Deadly
‘Terrific, smart and engaging’
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FeaturesBest Popular Factual Programme: Pete Wicks: For Dogs’ Sake
‘Pete’s genuine love of dogs shone through and gave this show an authenticity and warmth that I wasn’t expecting’
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FeaturesBest Sports or Live Event Coverage: The Autumn Nations
‘Outstanding – using technology for the benefit of the viewer and to enhance the viewing experience’
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FeaturesChannel 4’s in-house proposals: an impossible balancing act?
Marian McHugh C4’s newly unveiled plans to move into in-house production have sparked sector-wide debate. Here’s what we know so far - and what questions remain