Features – Page 302
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Features
Inside Track: Drama shooting
Milan Krsljanin, business development manager at Arri Media, on drama shooting formats.
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How We... shot high-speed marine police chases
Series producer Will Henshaw tells how he abandoned fashion and learned not to drown.
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Post technology: Faster, cheaper, smoother
Facilities are under ever greater pressure to ensure a return on any investment in technology. Adrian Pennington reports on how post manufacturers are appealing to their bottom line.
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The Buyer: Alex Fraser
Alex Fraser is the vice-president of sales and acquisitions at IMG Entertainment.
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Digital Agencies: Building interactive relations
Broadcast indies are forging strong links with digital agencies to fully exploit cross-platform opportunities. Adrian Pennington examines what six major players have to offer.
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Why the high-end doc is an endangered species
Documentary-maker Norma Percy has argued that it's never been tougher to fund ambitious projects. We ask programme-makers about the realities of funding documentaries today.
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Behind the Scenes at ... Discovery Networks
Discovery Networks InternationalNumber of staff 550Location West London
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My Career: Sam Bickley
Sam Bickley, executive producer, factual at DCD Media-owned Prospect Pictures.
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FeaturesWhat advantages does the AVC-Intra codec offer?
As a seasoned user of DVCPro HD what advantages does the AVC-Intra codec offer me?
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Features
What next for MediaCityUK?
How will ITV's decision to pull out of moving its Manchester operation to Salford's MediaCityUK affect the project's ambition to be a creative hub.
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Eureka!: Red Dwarf: Back to Earth
Advances in digital ushered in a new era for Red Dwarf, says co-creator Doug Naylor.
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How we ... accessed the Foster murder mansion
Executive producer Roger Graef on death, data security and filming a family tragedy.
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FeaturesAre producers getting better at working with brands over AFP?
With the growth of branded content and advertiser-funded programmes, are producers getting better at working with brands or are there still frequent misunderstandings?
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FeaturesIs shooting HD worth the trouble and expense?
Is the trouble and expense of shooting HD worth it when most programmes won't be broadcast in HD quality?
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FeaturesHow can we search engine optimise our programme launches?
How do we “search engine optimise” our programming website to ensure that our forthcoming series gets maximum exposure?
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FeaturesWhat are the benefits of AVC-Intra compression?
As a seasoned user of DVCPro HD what advantages does the AVC-Intra codec offer me?