Features – Page 312
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FeaturesMaking the leap from exec producer to director of programming
Q: I'm trying to make the leap from a series/executive producer to a director of programming - what are the skills needed to make the transition?
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FeaturesBranded content and branded entertainment
Q: Is branded content and branded entertainment one and the same? What works best for TV, online and mobile and what budgets are required?
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FeaturesCreative Review - My Holiday Hostage Hell
Full post-production on a series that explores true accounts of holiday terror experienced by ordinary Britons.
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FeaturesCreative Review - The FA Cup Titles
A giant FA Cup constructed on green pastures by fans to the soundtrack Abide with Me.
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FeaturesCreative Review - Guinness World Records Smashed
Visuals and audio created for the Sky One programme's title sequence.
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FeaturesIndies: Fighting for opportunities to survive
With forecasts of a tough year to come, even the biggest among production companies will have to cut costs. Katherine Rushton looks at the secrets of making it through a downturn.
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FeaturesRatings: Drama is still key for ITV
Figures suggest focusing on entertainment at the expense of drama could be shortsighted.
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FeaturesRatings: BBC4 hits the right buttons
BBC 4's incoming controller Richard Klein will be encouraged by the channel's recent performance as Charlie Brooker's Screenwipe attracted its highest ever audience last week.
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FeaturesEureka!: Entering the world of mother and child
Executive producer Jeremy Dear on delving into a baby's development stages.
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FeaturesCreating TV shows online
With social networks and ad brands demanding original online content, smart indies are seizing opportunities outside terrestrial platforms.
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FeaturesOn location: Wallander
Director Philip Martin discusses filming detective series Wallander in small-town Sweden.
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FeaturesInside Track
Tell us about your latest projectA Matter of Loaf and Death, a return to the half-hour animated format for Aardman, in which Wallace and Gromit launch a bakery and become embroiled in a murder-mystery. It premieres in BBC1's Christmas schedule.What was new about it? We shot it all digitally for ...
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FeaturesHow I... designed 600 period costumes
Michele Clapton on training a South African team to make 17th-century outfits in 12 weeks.
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FeaturesMultiplatform commissioning
Inertia has hindered the development of innovative cross-platform projects from UK broadcasters - but the commissioning culture is changing.
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FeaturesProduction: Specialist locations
Countries eager to boost their production sector are offering incentives that UK production companies are finding ever more enticing, writes Ann-Marie Corvin.
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FeaturesInterview: Louis Theroux
Louis Theroux dodges questions on internal BBC politics, muses on the role of the journalist-interviewer and tells Katherine Rushton why these days he's more interested in telling good stories than trying to be funny.
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FeaturesCreative Review - The Barristers
Opening titles created by Vivid Image for a series that reflects the long history of the legal profession while avoiding cliches'.
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FeaturesCreative Review - Wallander
Post-production work complete on the BBC's first series shot on the 4K Red One camera.