Features – Page 356
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FeaturesDo you Trust Me?
A gameshow with more than£1m at stake is designed to test how well total strangers work together.
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Hit vs Success
Philip Reevell on why there's more to a ratings hit than a place in the top 70 best rated programmes table.
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ITV gains from rugby scrum
Philip Reevell on how coverage of the Rugby World Cup will benefit ITV 2, ITV 3 and ITV 4.
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FeaturesInterview with Dr Phillip Alvelda
MobiTV has succeeded where others have failed and now has more than 2 million paying subscribers.
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FeaturesTime to set a digital agenda
IBC: A growing chorus in radio is calling for a timetable for analogue switch-off.
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FeaturesIndies develop cross-platform strategies
IBC:The past year has seen an explosion of growth in broadband video services, with many programmes and channels now legitimately available online for the first time.
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FeaturesThe upside of putting money on an outsider
With the BBC's sell-off of its Resources, Technology and Broadcast arms, the pendulum appears to have swung firmly towards outsourcing by broadcasters. Kevin Hilton looks at what there is to gain by going out
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On location: Born to be Different
Series producer Dee Lahiri charted the lives of six disabled children - and built lasting relationships
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FeaturesHow to post a profit in licensing
Even though the UK licensing market is worth£2.5bn a year, it is by no means easy money
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FeaturesWhat's Grade's big idea?
Michael Grade has a tricky balancing act to pull off if he is to impress the City and win viewers
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FeaturesNew kids on the TV block
Online TV services making content available via broadband poses a revenue threat to traditional IPTV providers.
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FeaturesStuart: a Life Backwards
Bringing a sense of warmth to a tale of drug abuse, homelessness and bloody violence called for some unique production techniques.
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Gladiator's win boosts More 4
More 4 experienced a strong bank holiday performance with Gladiatortaking 433,000 viewers/3% share on Monday at 9pm.
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Channels gorge on food shows
Philip Reevell on why this year Big Brotherhas been altogether less disruptive in ratings terms.
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The Great Escape
Interfocus Asia executive producer Frank Smith on how The Great Escape made it to the screen
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FeaturesParamount Comedy
Having given a first chance to the likes of Sacha Baron Cohen, no one could accuse Paramount Comedy of not taking risks, but it is still struggling to repeat the scripted success it enjoyed with Spacedin 1999.