Features – Page 239
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Features2015 Review: post-production round-up
Post houses were in positive mood, with many taking on additional space, while consolidation continued in the VFX sector and the DPP set out its roadmap. Adrian Pennington reports
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Features2015 Review: outside broadcast round-up
New tools helped make regular live UHD transmissions a reality, while IP networking advances brought remote production to the fore. Adrian Pennington reports
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Features2015 Review: technology round-up
Drones were everywhere, IP foundations were laid and HDR took over from UHD as the industry buzzword - but VR generated the most excitement. Adrian Pennington reports
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Features2015 Review: studios round-up
New studios were opened and existing spaces expanded as high-end TV and film tax credits continued to take effect, but Scotland looks to be missing out.
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Features2015 Review: children's TV round-up
Classic show revivals and the rise of Amazon and Netflix gave children’s TV a boost as charter renewal and Ofcom’s PSB review put the genre under the spotlight.
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Features2015 Review: deals round-up
Following a record-breaking 2014, this year was dominated by ITV and All3Media’s further landgrabs. All eyes are now on 2016 for real structural change, reports Neil Midgley
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Features
Tips and tools for capturing the world in 360 degrees
With the market for VR headsets expected to take off over the next five years, the pressure is on producers to understand how to tell stories in 360 degrees.
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FeaturesPlayout Q&A: technology bosses reveal their priorities
The heads of technology at five leading playout organisations explain where they are investing to develop their business
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FeaturesWhat does it take to be a series producer?
From organisational ability to being a team player, five top TV execs tell Beejal-Maya Patel what skills and SP needs to succeed.
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The Broadcast InterviewMartin Pope and Michael Rose, Magic Light Pictures
The animators behind BBC1 festive treats The Gruffalo and Stick Man tell Robin Parker how CGI helps them to find and fill the 3D space between the linds of children’s stories
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FeaturesThe Indestructibles
Manage the end-to-end post production of the 12-part series in which action-sport athletes are taken to different UK locations to perform epic stunts.
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Behind The ScenesShaun The Sheep: The Farmer's Llama, BBC1
The challenge on our 30-minute Shaun The Sheep special was to broaden his world without alienating his fans - and meticulous planning of every last detail, says Jay Grace
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The Broadcast InterviewDavid Abraham, Channel 4
Channel 4’s chief executive tells Broadcast why he believes privatisation would have serious repercussions for some parts of the industry and sets out his views on terms of trade
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Behind The ScenesCapital, BBC1
To create an authentic soundscape for BBC drama Capital, dubbing mixer Howard Bargroff took a trip to the part of south London in which it is set, writes George Bevir
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FeaturesDoing business in Mexico: trade and export guide
Mexico is the world’s 15th largest economy, according to the International Monetary Fund. World Bank analysts predict that Mexico’s economy will be the world’s fifth largest by 2050.
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FeaturesExpert Voices: BAME talent database
A database giving producers a quick reference of the array of talent who applied for and attended the BBC Academy Expert Voices training days across the UK