Features – Page 440
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FeaturesFormat Focus: Stable Stars
Celebrities compete to be crowned the champion in the saddle in this new show from Sweden
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FeaturesAudiences take a shine to the factual shows
Among the clutter of the schedules, some genres have to try harder than others. So, for instance, a celebrity edition of a factual show will provide a decent publicity hook.
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FeaturesSport drives up the ratings
Every year I say: “I think I'll stay up for the Superbowl.” Then when I contemplate staying awake until 3am on a Monday, I duck out.
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FeaturesAudiences take a shine to the factual shows
Among the clutter of the schedules, some genres have to try harder than others. So, for instance, a celebrity edition of a factual show will provide a decent publicity hook.
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FeaturesContent Focus: The Gym
ITV's comedy created for mobile phones aims to point the way for future projects.
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FeaturesCreative Review - Phoo Action
200 visual effects shots completed by Rushes for a 60-minute BBC3 drama.
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FeaturesCreative godfather
Andy Harries is the man behind such classics as Cracker and The Royle Family. Now heading indie Left Bank Pictures, he tells Liz Thomas why working with talent is such a key part of his business philosophy
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FeaturesContent Focus: Upstaged
A web-TV talent show in which entrants bid to outperform each other for the affections of users.
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FeaturesCreative Review - The System
Pogle grade and audio mix carried out by The Farm on a one-off Derren Brown special.
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FeaturesBehind the News: The job of an assistant producer
Recent TV scandals have turned the spotlight on all levels of production, with concerns that power has devolved to juniors. Philida Lyons looks at the role of assistant producer and the demands placed on them
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FeaturesFormat Focus: How Much is Enough
Chasing the biggest prizes could mean you miss out in BBC Worldwide's first in-house format.
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FeaturesPost's venture into FX
The provision of visual effects animation on TV is constantly evolving and even post houses are beginning to offer CGI services as part of the package. But is it good for the client and the industry as a whole?
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FeaturesOn location: Get Squiggling!
Series producer Jo Killingley explains how she created a high-tech creature with artistic interests
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FeaturesLive sport production and the OB market
Oversupply in the OB market is offering producers the chance to squeeze the cost of HD sport production and making suppliers think hard about their business models.
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FeaturesCreative Review - Day of the Kamikaze
CG shots completed by post house Blue on a new feature length drama doc for Channel 4.
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FeaturesCommissioning Focus: BBC Learning
BBC Learning has left the fusty image of schools programming far behind, with a range of cross-media campaigns and events aimed at getting ordinary people involved.
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FeaturesITV's revamped schedule fails to entice viewers
Two days in another country - the Real Screen Summit took place in Washington, DC last week and it provided me with one striking impression and an informative rating statistic (see the digital column for more details).
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FeaturesDeveloping genius potential
Electric Sky creative director Benita Matofska on how to Make Your Child Brilliant.
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FeaturesNews Profile: BBC2 still full of fresh ideas
Despite pressure from its corporation stablemates, BBC2 has enlivened its top formats and drawn a young audience while its rivals faltered. But, with cuts on the way, can Keating continue to deliver?