Features – Page 76
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FeaturesHot Shots 2022: News and current affairs
Kiran Moodley, Tir Dhondy, James Phillips, Zahra Warsame
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FeaturesHot Shots 2022: Producers
Faith Musembi, Riva Japaul, Molly Boughen, Zara Powell, Adam Bouabda, Tasha McLintock, Rebecca Hewett-Farmer, Rebecca Arnold, Trent Williams-Jones
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FeaturesHot Shots 2022: Directors
Sebastian Thiel, Laura Robinson, Evelyn Yilin Liu, Alex Thomas, Abigail Dankwa, Jack Retallack, Beya Kabelu, Khurrum M Sultan
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FeaturesHot Shots 2022: Writers
Daisy Martey, Kaamil Shah, Amanda Duke, Amy Ng, Ameir Brown, Jamie Davis
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FeaturesUKTV looks to future with revamped channel offering
UKTV commissioners discuss their plans to bring in fresh faces, expand Dave’s audience and order original content for Drama and now free-to-air W
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FeaturesIn pictures: Northern Ireland Screen’s four-year strategy launch at Mipcom
Selection of images from the special lunch held at the Hotel Gray D’albion in Cannes on Monday (17 October)
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FeaturesSam De Villiers
‘Her grasp of the clearance process is well beyond some of the most experienced series producers’
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FeaturesCicelia Deane
‘Cicelia is determined to drive opportunities for black talent, at whatever level, both on and off screen’
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FeaturesKrizzah Policarpio
‘Krizzah is someone really going places and we just hope we can hang on to her coat tails’
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FeaturesJames Phillips
‘James is brilliant at finding new and surprising ways to improve ideas and formats’
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FeaturesJack Retallack
‘I was impressed with Jack’s strong natural eye and visual flair as a director’
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FeaturesAmeir Brown
‘Everything you could ask for – interesting, interested, able to bring a seemingly limitless number of ideas to the table’
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FeaturesZara Powell
‘Zara is at the top of her game in every role and project. She is on a meteoric trajectory within the industry’
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FeaturesRiva Japaul
‘Her enthusiasm, emotional intelligence and editorial instincts are a powerful combination’
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FeaturesRebecca Hathway
‘Rebecca will no doubt keep climbing the production management ranks until she hits the top’