Features – Page 92
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FeaturesUK scripted
From psychological thrillers to unbelievable true-crime, our collection of scripted titles underscores UK creatives’ leading status
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FeaturesInternational scripted
Courtroom character stories mingle with regal and civil rights period pieces, while high-concept sci-fi sits alongside misfit vampires
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FeaturesIn conversation: Serena Kennedy and Sally Debonnaire on the production manager crisis
How the pandemic placed extra pressure on but also highlighted the importance of the often overlooked, vital role
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FeaturesAnalysis: how the BBC should face the licence fee battle
Should the corporation fight to keep the licence fee and risk being forced to change, or propose alternatives of its own?
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FeaturesWildflame Productions
‘We don’t clock-watch or call people out if they happen to leave the office early or arrive late. We trust our staff to do their jobs’
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FeaturesCoffee & TV
‘We can’t change the fact that great work is hard work, but we can ensure everyone gets time and space to recharge’
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FeaturesMultiStory Media
‘We have a relaxed, friendly, energetic and noisy culture that helps build trust and cohesion’
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FeaturesAsolute Post
‘The bedrock for our growth has always been creating an environment with a family feel, in which creativity can flourish’
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FeaturesHow the best companies are broadening the talent pool
A commitment to recruiting and retaining diverse talent is a key feature of all the firms represented in this year’s survey
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FeaturesBlast! Films
‘We reach out beyond the established pool of talent to find people outside the London TV bubble – and even outside the industry’
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FeaturesMaking freelancers part of the family
Surveyed firms are keen to ensure their freelancers are treated as well as staff with fair pay and access to training and support
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FeaturesMad Dog Casting
‘Mad Dog is changing its ownership structure and creating employee ownership as a consequence of our focus on wellbeing’
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FeaturesBig Talk Productions
‘There is a culture of cross-departmental interaction and socialising’
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Behind The ScenesWe Are Black and British, BBC2
Exec Narinder Minhas on how appointing a production team with different opinions and backgrounds was key
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FeaturesRapid Pictures & Radiant Post Production
‘We want staff to enjoy coming to work and take pride in what they do, while working to the highest standards’