Fleur Feeney
Fleur is a content researcher on Broadcast Intelligence
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FeaturesC4 looks for the ‘wow’ factor in current affairs content
Controversial geopolitical stories, agenda-setting investigations and deep dives into tech are on Louisa Compton’s wishlist
FeaturesUKTV seeks the unexpected for drama and factual refresh
Broadcaster is on the hunt for bingeable, noisy, edgy ideas that can cut through, with novel talent attached
NewsAmazon MGM Studios looks for deeper brand integration
US giant exploring ways to work more closely with brands across scripted and unscripted shows
NewsSky eyes co-pros as it leans into ‘entrepreneurial production’
Meghan Lyvers notes big international co-pro tentpoles like The Day of the Jackal and Gangs of London but warns shared creative vision is vital
NewsEuropean commissioners look to UK for scripted partnerships
Co-productions sought as costs continue to outpace budgets
NewsNickelodeon and Milkshake! partner for debut global co-pro
Mint Copenhagen to produce ‘stand-out’ animation Tim Rex in Space for Paramount brands
FeaturesSky and UKTV raise their ambitions for comedy shows
Sky seeks shows with a premium feel and an authentic voice, while Dave is keen to explore narrative stories
NewsCrime+Investigation resurrects Crimes That Shook Britain
Dermot Murnaghan-fronted true crime show to return after six-year rest
FeaturesBroadcast Intelligence: UKTV looks to evolve with call for ‘exciting, original’ shows
Helen Perry, Mark Iddon and Emile Nawagamuwa reveal plans to freshen up content offering on Dave, Alibi and W
NewsDistributors look to work directly with more indies
Bossanova, ITVS, Newen and Orange Smarty execs sat on Broadcast Intelligence panel
NewsIndustry execs speak out on sexual harassment
Event held to mark launch of Safe to Speak Up? report by Anna Bull
FeaturesBBC kids’ commissioners reaffirm linear commitment
Bosses of CBBC and CBeebies aim to support the UK industry with a renewed focus on animation
NewsTargeted audiences and thrillers key for drama
C5’s Paul Testar and S4C’s Llinos Griffin-Williams discuss strategies and interactive drama at MPTS panel