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Avoiding the crisis in a drama

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Peter La Terriere of Film Finances tells Adrian Pennington why bonding productions is useful in an era of high-end television

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Free up your cash for production

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Barclays has developed a receivable purchase capability specifically for the TV space

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Raw Cut turns on the blue lights in Wales

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Steve Warr tells John Elmes about expanding Raw Cut’s factual operations with Cardiff offshoot Tomos TV

Friends

Why Netflix is the SVoD to beat

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Barclays relationship director Tom Dods on challenges to the streaming giant’s dominance

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World Productions wins prestigious award

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The producers of Save Me and Bodyguard named best independent production company at the 2019 Broadcast Awards

More from Barclays

Mormon Love

Bringing young Mormons to Facebook

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Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall

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The contenders: Barclays Best Independent Production Company

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The producers vying for the Broadcast Awards 2019 Best Independent Production Company, sponsored by Barclays, reveal the secrets of their success

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Video: 2019 Outlook

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Lorraine Ruckstuhl, Barclays head of media, shares her thoughts on the challenges and opportunities in the sector for 2019

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BlueBolt: the gold standard in business

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VFX house wins Barclays-sponsored WFTV Business Award

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How to co-produce in Asia

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Ahead of Singapore’s Asia TV Forum this week, Amanda Groom of The Bridge gives an overview of Asian co-production market

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Barclays doubles SVoD fund to £200m

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Fund has provided UK producers with more than £100m in 18 months

The Crown

Nurturing the Greenshoots of sustainable filming

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Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working

John and Marija Sargeant

Sargent-Disc: TV’s unsung a-lister

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Charting 32 years of the production management specialist. By Tim Dams

Mipcom 2018

Barclays detects top trends from Mipcom

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Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year

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Clean-tech batteries can power location shoots

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A pioneering new technology could provide the industry with a more sustainable power source on location

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Supporting green-tech disrupters can have ‘unreasonable’ impact

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Changing the way businesses operate for the better

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Breaking the mould in wildlife filmmaking

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Naturalist Catherine Capon on producing wildlife documentaries via social media

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Volunteering with Orangutans in Borneo

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Catherine Capon travelled to Indonesia to investigate how the BOS Foundation are helping orphan orangutans learn the skills to go back to the wild

Songs of praise

Out of London, into the limelight

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Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports

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Ashley Walters: the SLNda man

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The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows

Training

albert – working towards greener film and TV

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Uniting the TV and film production and broadcast industry to create an environmentally sustainable approach

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Barcroft: turning TV upside down

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Seeing success from developing digital shows that become long-form series

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Pinewood takes leading role on sustainability

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Setting a target of cutting its carbon footprint by half by 2030

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The benefits of workplace inclusion

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James Allan speaks to David Levine from Disney Channels UK & Ireland, about the role and importance of employee networks in promoting diversity

On a Chocolate Films Workshop 2

Chocolate spreads unconventional model

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Video production company’s business model leads the way

Peaky Blinders

Tackling the green agenda

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Research suggests TV industry can better promote efforts to address sustainability and environmental issues

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Komixx on the kids TV conundrum

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Komixx Entertainment on how to finance programming that kids and young adult audiences want. Nick Edwards reports

Factory

Factory - Backing Britain

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How Barclays has helped an independent animation studio

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Interview: Jane Root, Nutopia

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The Nutopia founder discusses two of her most ambitious series to date

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Sundog aims to build SVoD relationships

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Indie taps into Barclays’ £100m SVoD fund

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How Barclays can help

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Barclays has been providing dedicated support to the film and television industries for over 30 years

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Profile: Indielab

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Giving independent production companies a helping hand

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Three Arrows aims to make its mark

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Treasure Champs indie explains to Ann-Marie Corvin how Barclays has helped shape its services around the requirements of children’s TV

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The need for upfront funding has never been greater

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Clover’s MD Tracey Doran-Carter explains to Ann-Marie Corvin how Barclays is helping the indie fund future projects

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What does the year ahead have in store for production companies?

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Lorraine Ruckstuhl, head of media at Barclays, shares her outlook for the television production sector in 2018 and beyond

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Ashley Walters: the SLNda man

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The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows

Mipcom 2018

Barclays detects top trends from Mipcom

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Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year

Songs of praise

Out of London, into the limelight

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Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports

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Industry thrives in changing market

The rise of the SVoDs means there are more buyers than ever for UK programming, but smaller indies face growing competition

Map

Global tv production map

Global TV Production Map

The shape of the consolidated world