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Fixed rig: the rise of the robot
Developments in technology and kit price drop are driving advances in fixed-rig camera techniques, says Gavin Smith
More must be done to encourage women into media
The industry is improving but still needs to invest time and energy into increasing the female work force, says Lorraine Ruckstuhl
How will a no-deal Brexit impact broadcasting?
The UK’s television business and wider creative industries must be protected if a no-deal Brexit materialises, writes Tom Dods
Making large-scale factual production simple
The challenge of planning and production of complex, large-scale scale programmes is tough, but there are several shortcuts, writes Gavin Smith
SVoD production finance and the role of a modern media banker
Tobias Jaeger talks to Barclays’ Lorraine Ruckstuhl about her career journey and supporting the media sector
More from Barclays
Ensuring your insurance policy works
Understanding the complexities of insuring a production properly is vital and companies like Integro can help, writes Barclays’ Richard Woolford
Rogan's pursuit of purpose and integrity
The husband and wife team behind Rogan Productions on why they aim for productions of purpose, perspective and craft
Global TV Production Map
The shape of the consolidated world
‘TV advertising remains hugely powerful’
Delivering ‘a disproportionate competitive advantage’ to clients is the goal in an era of changing viewing habits
How broadcasters keep drama ticking
This week’s Broadcast Intelligence Commissioner Index event shone a light on the strategies broadcasters are going to land the best drama
Curious kicks on with BBC3
Dov Freedman explains to Adrian Pennington the thinking behind BBC3’s scheduling of Britain’s Youngest Football Boss
Avoiding the crisis in a drama
Peter La Terriere of Film Finances tells Adrian Pennington why bonding productions is useful in an era of high-end television
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Free up your cash for production
Barclays has developed a receivable purchase capability specifically for the TV space
Raw Cut turns on the blue lights in Wales
Steve Warr tells John Elmes about expanding Raw Cut’s factual operations with Cardiff offshoot Tomos TV
Why Netflix is the SVoD to beat
Barclays relationship director Tom Dods on challenges to the streaming giant’s dominance
World Productions wins prestigious award
The producers of Save Me and Bodyguard named best independent production company at the 2019 Broadcast Awards
What the UK television sector is facing in 2019
Barclays’ head of media Lorraine Ruckstuhl on what she learnt at the Westminster Media Forum debate on the future of the UK TV sector
Bringing young Mormons to Facebook
Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall
The contenders: Barclays Best Independent Production Company
The producers vying for the Broadcast Awards 2019 Best Independent Production Company, sponsored by Barclays, reveal the secrets of their success
Video: 2019 Outlook
Lorraine Ruckstuhl, Barclays head of media, shares her thoughts on the challenges and opportunities in the sector for 2019
BlueBolt: the gold standard in business
VFX house wins Barclays-sponsored WFTV Business Award
How to co-produce in Asia
Ahead of Singapore’s Asia TV Forum this week, Amanda Groom of The Bridge gives an overview of Asian co-production market
Barclays doubles SVoD fund to £200m
Fund has provided UK producers with more than £100m in 18 months
Nurturing the Greenshoots of sustainable filming
Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working
Sargent-Disc: TV’s unsung a-lister
Charting 32 years of the production management specialist. By Tim Dams
Barclays detects top trends from Mipcom
Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year
Clean-tech batteries can power location shoots
A pioneering new technology could provide the industry with a more sustainable power source on location
Supporting green-tech disrupters can have ‘unreasonable’ impact
Changing the way businesses operate for the better
Breaking the mould in wildlife filmmaking
Naturalist Catherine Capon on producing wildlife documentaries via social media
Volunteering with Orangutans in Borneo
Catherine Capon travelled to Indonesia to investigate how the BOS Foundation are helping orphan orangutans learn the skills to go back to the wild
Out of London, into the limelight
Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports
Ashley Walters: the SLNda man
The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows
albert – working towards greener film and TV
Uniting the TV and film production and broadcast industry to create an environmentally sustainable approach
Barcroft: turning TV upside down
Seeing success from developing digital shows that become long-form series
Pinewood takes leading role on sustainability
Setting a target of cutting its carbon footprint by half by 2030
Breaking the mould in wildlife filmmaking
Naturalist Catherine Capon on producing wildlife documentaries via social media
Ashley Walters: the SLNda man
The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows
Global TV Production Map
The shape of the consolidated world
Industry thrives in changing market
The rise of the SVoDs means there are more buyers than ever for UK programming, but smaller indies face growing competition
Map
Global TV Production Map
The shape of the consolidated world
Volunteering with Orangutans in Borneo
Catherine Capon travelled to Indonesia to investigate how the BOS Foundation are helping orphan orangutans learn the skills to go back to the wild
