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Avoiding the crisis in a drama
Peter La Terriere of Film Finances tells Adrian Pennington why bonding productions is useful in an era of high-end television
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Free up your cash for production
Barclays has developed a receivable purchase capability specifically for the TV space
Raw Cut turns on the blue lights in Wales
Steve Warr tells John Elmes about expanding Raw Cut’s factual operations with Cardiff offshoot Tomos TV
Why Netflix is the SVoD to beat
Barclays relationship director Tom Dods on challenges to the streaming giant’s dominance
World Productions wins prestigious award
The producers of Save Me and Bodyguard named best independent production company at the 2019 Broadcast Awards
More from Barclays
Bringing young Mormons to Facebook
Filming the dating lives of young Mormons stretched our teams but we achieved our goals, writes James Burstall
The contenders: Barclays Best Independent Production Company
The producers vying for the Broadcast Awards 2019 Best Independent Production Company, sponsored by Barclays, reveal the secrets of their success
Video: 2019 Outlook
Lorraine Ruckstuhl, Barclays head of media, shares her thoughts on the challenges and opportunities in the sector for 2019
BlueBolt: the gold standard in business
VFX house wins Barclays-sponsored WFTV Business Award
How to co-produce in Asia
Ahead of Singapore’s Asia TV Forum this week, Amanda Groom of The Bridge gives an overview of Asian co-production market
Barclays doubles SVoD fund to £200m
Fund has provided UK producers with more than £100m in 18 months
Nurturing the Greenshoots of sustainable filming
Greenshoot is an organisation helping to move the UK film, TV and production industry towards more environmentally friendly ways of working
Sargent-Disc: TV’s unsung a-lister
Charting 32 years of the production management specialist. By Tim Dams
Barclays detects top trends from Mipcom
Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year
Clean-tech batteries can power location shoots
A pioneering new technology could provide the industry with a more sustainable power source on location
Supporting green-tech disrupters can have ‘unreasonable’ impact
Changing the way businesses operate for the better
Breaking the mould in wildlife filmmaking
Naturalist Catherine Capon on producing wildlife documentaries via social media
Volunteering with Orangutans in Borneo
Catherine Capon travelled to Indonesia to investigate how the BOS Foundation are helping orphan orangutans learn the skills to go back to the wild
Out of London, into the limelight
Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports
Ashley Walters: the SLNda man
The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows
albert – working towards greener film and TV
Uniting the TV and film production and broadcast industry to create an environmentally sustainable approach
Barcroft: turning TV upside down
Seeing success from developing digital shows that become long-form series
Pinewood takes leading role on sustainability
Setting a target of cutting its carbon footprint by half by 2030
The benefits of workplace inclusion
James Allan speaks to David Levine from Disney Channels UK & Ireland, about the role and importance of employee networks in promoting diversity
Chocolate spreads unconventional model
Video production company’s business model leads the way
Tackling the green agenda
Research suggests TV industry can better promote efforts to address sustainability and environmental issues
Komixx on the kids TV conundrum
Komixx Entertainment on how to finance programming that kids and young adult audiences want. Nick Edwards reports
Factory - Backing Britain
How Barclays has helped an independent animation studio
Interview: Jane Root, Nutopia
The Nutopia founder discusses two of her most ambitious series to date
Sundog aims to build SVoD relationships
Indie taps into Barclays’ £100m SVoD fund
How Barclays can help
Barclays has been providing dedicated support to the film and television industries for over 30 years
Profile: Indielab
Giving independent production companies a helping hand
Three Arrows aims to make its mark
Treasure Champs indie explains to Ann-Marie Corvin how Barclays has helped shape its services around the requirements of children’s TV
The need for upfront funding has never been greater
Clover’s MD Tracey Doran-Carter explains to Ann-Marie Corvin how Barclays is helping the indie fund future projects
What does the year ahead have in store for production companies?
Lorraine Ruckstuhl, head of media at Barclays, shares her outlook for the television production sector in 2018 and beyond
Ashley Walters: the SLNda man
The actor and rapper has launched a new production company and is working on a slate of personally- and culturally-significant shows
Barclays detects top trends from Mipcom
Barclays relationship manager Tom Dods identifies the key international TV trends from the Croisette this year
Out of London, into the limelight
Has the time finally come for indies in the nations and regions to truly shine? Nick Edwards reports
Industry thrives in changing market
The rise of the SVoDs means there are more buyers than ever for UK programming, but smaller indies face growing competition
Map
Global TV Production Map
The shape of the consolidated world
Volunteering with Orangutans in Borneo
Catherine Capon travelled to Indonesia to investigate how the BOS Foundation are helping orphan orangutans learn the skills to go back to the wild
