All International articles – Page 240
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FeaturesAn Ordinary Woman
“This is not just speaking about Russia today, but about a woman’s story in extreme circumstances”
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FeaturesMoscow Noir
“This delivers Russia like you’ve never seen it before. It goes right under the skin of a city in flux”
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FeaturesValley Of The Boom
“Buyers are longing for something that stands out and tries to attract a younger demographic”
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FeaturesProject Blue Book
“It is a combination of creative intent, action and suspense, with strong male and female characters”
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FeaturesInternational drama
Ben Stiller’s prison break drama Escape At Dannemora and the Aiden Gillen-front Project Blue Book headline the international series flying into Cannes
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FeaturesThe War Of The Worlds
“It’s really cool to see Edwardian frocks and alien attacks on screen at the same time”
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FeaturesBritish drama
Andrew Davies’ take on Les Miserables and UKTV’s first original drama commission Flack are among the latest UK scripted titles hitting the market
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FeaturesDeath And Nightingales
“It is trendy right now to have flawed characters like Luther, even in a classic period piece”
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FeaturesThe Little Drummer Girl
“The Little Drummer Girl marries the thrilling twists and turns you’d expect from a Le Carré thriller with a brooding love story”
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FeaturesChanging face of distribution
From the rise of pre-selling to rights issues around deals with SVoD players, distribution execs discuss how the sector is evolving
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NewsFox to check back in to Mentorn’s Paradise Hotel
Tinopolis indie close to bumper order from US network
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FeaturesBuilding the content pipeline
Leading distribution execs debate getting involved early in the development process and their growing interest in commissioning content
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NewsAMC names international president
Latin America chief Eduardo Zulueta expands role to include control of UK operation
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NewsDutch broadcaster bags The Heist
Endemol Shine Group sells format to NPO3 ahead of its Sky debut
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CommentYou need more than a good idea
Production expertise is a critical factor in protecting new formats, says Sarah Edwards


















