All Twofour articles – Page 4
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NewsBoomerang closes as Twofour realigns N&R focus
Slate moves to Twofour and fellow Cardiff and ITVS label Boom
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NewsITV2 to air socially distanced V Fest
Twofour produces three-part special from Chelmsford’s Hylands Park
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The Broadcast InterviewBig Zuu’s recipe for Dave’s Big Eats
Rapper and self-taught cook on his switch from grime music to comedy-entertainment TV as his first show for Dave gets underway
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FeaturesOne World: Together at Home: ‘we proved we can still execute big shows’
Putting a BBC1 spin on an ambitious remotely-produced global event meant being on Zoom calls from dawn till dusk, says David Brindley
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VideoThe Real Marigold Hotel, BBC1
More celebrity retirees try out life in India. Produced by Twofour
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NewsBBC1 to air Lady Gaga’s Covid-19 fundraiser
Twofour producing highlights package of concert featuring Billie Eilish and Paul McCartney
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NewsC4 orders bumper batch of Beat the Chef
Twofour and Motion Content Group to produce 30-part run of teatime format
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NewsFormer Twofour duo’s South Shore secures debut commission
BBC1 greenlights Freddie Flintoff doc
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Behind The ScenesWin The Wilderness: Alaska, BBC2
White-knuckle flights, roaming bears and constant daylight were just some of the challenges faced by the makers of this Twofour series
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NewsTwofour snaps up Electric Ray development chief
Natalie McArdle joins David Brindley at ITVS indie
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NewsBattle heats up among mega-distributors
Relationships with rightsholders may need to be recalibrated amid a shrinking midsized content market
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NewsBoomerang wins C4 triple order
Cardiff indie’s fact ent slate kicks off with Inside the Toy Factory at Christmas
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NewsBBC in hunt to fill factual roles
Departures could usher in a new era for the department as the corporation seeks replacements
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NewsTwofour hires BBC’s David Brindley
Joins as chief creative officer after three years with corporation
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Behind The ScenesUndercover Girlfriends, C5
Hiding our contestants’ partners in a next-door villa was no easy feat, says Colin May
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FeaturesSink Or Swim
‘The key to this show was to find authentic, engaging characters – and that’s a message for anyone thinking of making it’