How Emergency 24/7 found compelling narratives in a fast-moving trauma centre
Executive producer Rachael Barnes unpacks how Expectation used its Murder24/7 experience to immerse viewers in life-or-death medical decisions
Why I wanted Benidorm Is Murder be a fun working class world
TV is most people’s access point to the arts - so let’s reflect their experiences and welcome them in, says writer Ian Jarvis
How Buried with Michael Sheen set out to unearth toxic contamination in Wales
Series and edit producer Jaclyn Parry on turning an investigative podcast into a BBC2 documentary
Bafta 2026 – popular shows triumph as entertainment and co-viewing take centre stage
Non-scripted successes challenged drama dominance last night
Ian Katz: the outsider who faced an uphill task
Outgoing C4 programming boss delivered more successes than many credit him for – but he never quite got the indie sector on side, writes Chris Curtis
Confidence grows as indies learn to adapt
‘Some of the genuinely existential threats facing production companies in recent years seem to have eased’
