The BFI National Archive has brought 400+ UK-produced online videos into the National Collection, preserving 30 years of digital content
Having earned a reputation for innovation across more than 70 years in the business, the company is diversifying the offering at its Gray’s Inn Rd London HQ
Just under 14,000 descended on Olympia London for 10th anniversary of UK’s largest trade show for the industry
The streaming technology provider says the redesign brings its platform experience up to the standard of its video technology
New DG tells staff he will build a ‘sat nav around bias’
Enhance recommendation engines, introduce loyalty schemes and reimagine user interfaces to reduce churn, says EY’s annual survey of 2,000 UK consumers
The partnership will see Jigsaw24 showcase EVS’s Move product range to UK broadcasters, offering unified baseband and file-based capabilities
Broadcast Tech understands that broadcast equipment sales, equipment hire and systems integration specialist ES Broadcast intends to appoint an administrator
Max Alexander joins the company from Vine FX to lead the new unit
The camera and crewing facility will wind down operations over the coming months. An auction of its equipment will be hosted by CVP from 29 June to 6 July
The post-production house is expanding its central London headquarters, supported by funding from Allica Bank
The updates follow customer feedback, including on upcoming Amazon MGM Studios feature, The Thomas Crown Affair
Envy had acquired the commercial post and animation facilities in November 2022
Vizrt is providing graphics rendering and virtual studio tech, while NEP delivers broadcast control systems and is integrating cinematic cameras into the live workflow
The studio completes Gravity Media’s London Production Centre’s end-to-end offering
AI-powered tool can continue generate a fully produced short with consistent narratives in minutes
Recorded live at the Broadcast Tech Cloud Innovations Forum, this panel features industry experts debating the merits of cloud versus local and hybrid workflows
Click the magazine to read about MPTS 2026, traditional TV companies’ efforts to partner with creators; the new types of content being produced with AI; sustainability in post-production; producing for US networks from the UK; what’s happening with Welsh studios; how VFX is approaching AI; and more