All Comedy articles – Page 43
-
Features
Cracking the code for a safe comedy shoot
Covid supervisor Maja Wlodarczyk reveals the procedures and protocols she had to be put in place to produce Code 404 for Sky 1
-
News
The Windsors co-creator dies aged 56
’Warm, friendly and funny’ - George Jeffrie’s credits also included Pete Versus Life and Spitting Image revival
-
News
DLT takes stake in Mark Watson’s indie
Impatient Productions to move into drama, docs and light entertainment
-
Comment
No need to rush to judgement
New shows, and the new Broadcast, need time to settle, writes Ash Atalla
-
Video
Spitting Image, BritBox
Avalon’s reboot of the satirical format heads to SVoD service on 3 October
-
-
News
Comedy Central returns to originals
Rumpus and Tuesday’s Child win first orders since Ben Frow took charge
-
Video
Ghosts, BBC1
Second series of comedy format from the team behind Horrible Histories and Yonderland, produced by Monumental Television
-
-
News
Worzel Gummidge heads back to BBC1
Mackenzie Crook’s gentle comedy-drama returns for one-hour film
-
-
News
Richard Curtis backs climate scheme
Flickers of the Future to lobby for more environmental issues in drama, comedy and entertainment
-
News
Line of Duty resumes filming
Covid-19 had halted production of series six of Jed Mercurio’s BBC1 cop drama
-
Behind The Scenes
Comedy Central at the Edinburgh Fringe: remote but live
Our plan to recreate the energy of the UK’s leading comedy festival was a technical challenge like no other, says Chris Jones
-
Features
Laura Burrell’s Lip Sync Battle love-in
ViacomCBS’s formats chief had no idea an adapted Tonight Show segment would take her all around the world – until it did
-
News
Campbell sets out case for BBC3 linear return
Controller claims SVoDs ‘would die’ for powerful linear presence
-
Comment
Covid can be catalyst for change in comedy
The lack of an Edinburgh Fringe this year forces us to find talent elsewhere, says Richard Watsham
-
-
-
News
Black commissioners have their say
PSB execs discuss their careers and experiences of the “very white” industry