All Comment articles – Page 137
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CommentThe Plane that Saved Britain
Behind the scenes on Channel 4’s WW2 documentary The Plane that Saved Britain.
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CommentTapping into a new mindset
Bridging TV and online gap will attract millennials, says Kate Bulkley
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CommentObituary: Alan Whicker
September Films’ David Green pays tribute to legendary broadcaster Alan Whicker, who passed away on July 12.
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CriticsTV Critics: Nick and Margaret: We Pay All Your Benefits, Brady and Hindley: Possession
“Why Nick and Margaret: We Pay All Your Benefits was fronted by Nick and Margaret (now so famous in their own right they don’t need surnames) never became quite clear.” Read on for the verdict on last night’s TV.
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CommentVaried kids’ media should not detract from quality
Children’s content needs our best efforts, whatever the medium, argues Reem Nouss
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CommentFlash the trash or aim for the stars?
Steven D Wright ponders the conundrum of whether your output matters after you’re dead
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CommentFrench factual market shows its Sunny Side
French market Sunny Side of Doc has a refreshingly international outlook, says Paul Heaney
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CommentIn defence of edit producers
The role of edit producer is part of factual TV’s evolution rather than just a cost saving measure, says David Berry
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CommentA modern approach to the BBC Proms
The BBC plans to cover this year’s Proms in a thoroughly modern way, writes Jan Younghusband
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CommentThe long story behing A Race Against Time
Indie producer Peter Williams reveals the four year battle to get a moving doc aired by the BBC.
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CommentCommercial radio: 40 years of big personalities
Paul Robinson casts an eye over Arqiva’s commerical radio power list
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CommentViewers must be protected in the UK's airwave lottery
The rise of mobile should not limit the future of Freeview, says Caroline Thomson
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CommentKeep commissioner debate alive
The conversation must continue to improve indie relationships, says Lisa Campbell
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CommentRatings take a leap forward
Cross-platform tracking will change the game, writes Kate Bulkley
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CommentThe director’s vision is key at every stage
Edit producers have their place, but shouldn’t be used just to cut costs, says Paul Elston.
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CommentYou the Jury: Don’t Call Me Crazy
Broadcast’s industry review section examines BBC3’s mental health doc Don’t Call Me Crazy
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CommentCalling the shots on more than just Call The Midwife
An all-female directing line-up shouldn’t make headlines
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CommentTV can learn from ad-makers
Why were there no TV creatives at Cannes Lions asks Kate Bulkley
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CommentThe golden rules of pitching
Karl Woolley shares his top ten tips for pitching to broadcasters.