All Comment articles – Page 134
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CommentAll Eyes On Us
One year on from the Paralympics, Eelyn Lee says C4 must join up its disabled programming strategy
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CommentRevisiting 9/11
Testimony Film’s Steve Humphries on the most heartfelt, gut-wrenching and inspiring interviews he has conducted.
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CommentBroadcast Hot Shots 2013: gallery
Click to see the pictures from the Broadcast Hot Shots 2013 party.
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CommentTony Hall must tackle culture of BBC payoffs
Jake Kanter explains why the director general’s new payout rules are just a starting point.
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CommentCommissioning: we must all work better together
I suspect it shouldn’t have, but Broadcast’s commissioning survey took me by surprise says Debbie Manners
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CommentMissing in action: BBC females
Women are conspicuous by their absence from new BBC dramas says Lisa Campbell
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CommentWe’re all suckers for the same old
Why not rip off formats when viewers often yearn for the familiar, asks Steven D Wright
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CommentOff Cuts at the Edinburgh TV Festival
Edinburgh hosted its own version of Room 101, with BBC2’s Janice Hadlow consigning “brainstorming” and Endemol’s Tim Hincks trying to bury “new shows trying to be funny”.
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CommentWho will be the first to cut out the middle man?
With a brand like HBO leading the way, direct to consumer TV can take off, says Guy Bisson
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CommentTime to get real about poverty
TV must stop reinforcing the stereotypes, says Abigail Scott Paul
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CommentCommissioning debate hots up
C4 goes on the defensive, but all broadcasters pledge reviews, says Lisa Campbell
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CommentAttack of the Zeppelins
Johnny Shipley on bringing the first aerial bombing campaign in history to life.
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CommentTo be successful in TV, you must be prepared to fail
Working in the industry requires a thick skin says Lisa Clark
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CommentA shift in the balance of power
OTT services are changing the TV landscape, says Kate Bulkley
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CommentThe next step for second screen?
Luke Jonker on how ‘media meshing’ can help broadcasters commission more intelligently.
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CommentPutting the bang in Boom Town
Bending genres was the hardest part of making Boom Town - and the most rewarding , writes Jonathan Stadlen.
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CommentThe rise of African content
Hannelie Bekker on Tales from the Bush Larder’s trip out of the developing world.
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CommentTen years of bringing human history to life
Farm franchise shows there is more to history than battles and royalty, says David Upshal
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CommentGrim reality of life at an indie
Battle for commissions is getting depressing, says Stephen D Wright


















