All Comment articles – Page 159
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Preparing freelancers for radio’s brave new world
Radio Fast Train may only be one day of training, but it’s a start, says Donna Taberer.
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Time for C4 to do the Shuffle
Service should benefit viewers and boost revenue, says Kate Bulkley.
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River Monsters, ITV1
Turning a simple tale about river fishing into a returnable “murder mystery” brand has proved quite a challenge, says ITV1’s River Monsters executive producer Harry Marshall.
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Hunt begins for the next DG
The BBC has done its best to manage the news that Mark Thompson’s time as DG is coming to an end – but the race to succeed him is now really on.
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TV’s light shines in the gloom
Quality drama, comedy and entertainment keep viewers gripped.
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This time we have to get investment in kids’ TV right
There must be incentives for all, not just one part of the industry, says Michael Carrington.
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New doc voices need an outlet
Who will give producers the freedom to be bold now, asks Jane Mote.
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Co-operation is key to cracking Latin America
The region is opening up for international format sales, says Barnaby Shingleton.
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Britain's Gay Footballers, BBC3
Homosexuality is the last great taboo in football – which made producing a doc about it genuinely challenging, writes David DeHaney.
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New Year, new presenters
Capital’s new London breakfast DJ, Dave Berry, is now two weeks into the job, and Casey Kasem, the new host on Smooth Radio 70s has around 40 years on the clock. So how are they both doing? Paul Robinson takes a listen.
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Birdsong, BBC1
Birdsong director Philip Martin reveals how the Sebastian Faulks novel made it from page to screen.
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Off Cuts: Mangan's hell on earth
Seems Stephen Mangan was taking the Golden Globes as seriously as his Brit comic counterpart Ricky Gervais.
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All publicity is good publicity, but...
It was kind of Paul Robinson to review Amazing Radio (here) and we’re delighted he likes what we do. Unfortunately, he got some facts wrong.
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A slimmer World Service will punch above its weight
Integration will drive creative renewal of BBC global news services, says Peter Horrocks.
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Catch-up if you can in 2012
VoD battle will intensify with arrival of Netflix, says Kate Bulkley.
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Don’t go west when you can head Down Under
UK shows sell well in Australia so consider targeting there first, says Jay Kandola.
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Force isn’t the answer for film
Government must not railroad broadcasters into lending support.
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Behind The Scenes
Crime Scene Forensics, BBC1
Raw Cut’s Steve Warr takes Broadcast behind the police tape of BBC1’s Crime Scene Forensics and reveals that this was not a production for the faint-hearted.
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Making TV by remote control
Channel controllers’ iron grip is too much of a check on creativity and risk, says Gerri Gossage.
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Time to redraw animation strategy
Investor incentives must be a priority to keep the UK best in class, says Edward Glauser.