All Comment articles – Page 6
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CommentBaftas 2025: low-key, leftfield winners are well received
BBC stands tall in Charlotte Moore’s swansong year; The Jury Murder Trial and Would I Lie to You among unexpected winners
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CommentTrump’s film tariff statements raise more questions than they answer
Mooted tariffs will likely harm the very companies he seeks to strengthen, says Bernard Hay of the Creative Industries Policy and Evidence Centre
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CommentTrump’s 100% tariff: No need for panic, for now
Jeremy Roberts, head of TV & film at London legal firm Sheridans, on why calm heads must prevail
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CommentMobeen Azhar: The start I needed and the future we crave
The industry needs talented individuals offering new perspectives to join its ranks - to acheive that, we must invest in the pipeline
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CommentAnalysis: Alex Mahon’s C4 tenure and what comes next
Chris Curtis: Outgoing boss grappled with privatisation, ad market fluctuations and elusive younger viewers. Her successor may well face the same
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CommentTrue indies have always been the outliers – but we must persevere
Nicholas Sercombe reflects on an increasingly difficult world for independent production companies
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CommentWhy deepfakes are the next big threat to broadcast credibility
Matt Stagg explains why sports broadcasters are particularly susceptible to deepfakes and how to avoid getting caught out
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CommentThe development credit row points to the need for a bigger industry rethink
Give credit where it’s due, but industry must be open to equitable models of pay and collaboration, writes Jon Willers
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NewsWhat AI audio separation could offer TV viewers
Moises’s Matt Henninger (VP, Business Development & Sales at Music.ai) explains the benefits of AI-driven audio separation for the TV industry
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CommentSpelling out what Trump’s tariffs could mean for TV
Jeremy Roberts, head of TV & film at London legal firm Sheridans, on the indirect consequences of US action
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CommentWhy Last One Laughing UK is more than just a (very) funny show
Zeppotron/Initial’s Amazon Prime Video production is great example of a pivot paying off, writes Chris Curtis
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CommentPost-production shouldn’t be an afterthought
Collaboration with post teams from inception to completion can yield dividends, says Arrow Media’s head of post-production Kyran Speirs
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CommentRoy Ackerman: Theatrical feature docs are not the only game in town
Powerful, independent films still have a place on linear channels, with cuts to running times and budgets
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CommentI got £50,000 to explore how PSBs could win over Gen Z - this what I found
Wider regulation and content designed for social media will help bring in younger audiences, Toby Cameron says
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CommentThe Esports Olympics are coming – are broadcasters ready?
Ulrich Schulze, SVP of game ecosystems at ESL FACEIT Group, looks at how broadcasters will have to adapt their sport coverage for esports
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CommentRecognition is key to happy and productive workforces in difficult times
Improving staff wellbeing doesn’t have to cost money, says psychologist Janet Evans
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CommentAdolescence is a shot in the arm for UK drama, not its death knell
The global appetite for British stories is vast, and can be captured by all parts of the industry
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CommentComment: What brands and influencers can learn from rugby’s viewership strategy
Matt Millin-Brawn, director of strategy at Coolr, looks at how rugby has prioritised digital content
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CommentA show of resilience in times of adversity
‘British indies are doing everything in their power to thrive through innovation’
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CommentThe remarkable history of The Moving Picture Company (MPC)
Mike Luckwell takes a trip down memory lane as he reveals the origins and incredible growth story of the globally renowned VFX house