Comment – Page 25
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Race shouldn’t prevent big stories from being told
The accusations against Bill Cosby are too shocking to be ignored, says Lucy Pilkington
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Location, Location, Location
Plenty of cities will want to host C4 - but what is the right approach?
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The future’s looking much brighter for kids’ producers
Sector is turning the corner thanks to the Digital Economy Act
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Focus on digital revenue is key
As linear ad spend declines, broadcasters must monetise VoD services
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Man of Vision
Vision Charity founder says industry support has helped thousands of youngsters
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C4’s relocation is an empty threat
It is in no one’s interest to move the broadcaster to Birmingham, says Steven D Wright
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Disabled shouldn’t have to get lucky to make it in TV
Industry will lose out if broadcasters do not value disabled talent, says Ade Adepitan
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The fight is on for C4 and ITV
Broadcasters have different, yet important, battles to overcome
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Sky needs to build on successes
Failure of shows to match their first runs is a persistent problem, says Stephen Arnell
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David Abraham leaves lasting legacy
Chief exec has made C4 a stronger, more modern broadcaster
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Let’s take diversity to the next level
Targets and initiatives are all very well, but authentic stories are the key, says Ally Castle
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BBC Scotland needs global reach
It won’t serve the BBC or the country if the channel feels insular
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The Twitter verdict: The Nightly Show
“US late-night shows have the advantages of writers’ rooms and Hollywood A-listers.”
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On the hunt for the best of British
Gritty UK and glossy US shows can sit side by side on Comedy Central, says Louise Holmes
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Moving out of the comfort zone
Shaking up the schedules and taking risks is the order of the day
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PSBs must open up their platforms
If TV is to thrive in the digital era, broadcasters need to take bold steps, says Nick Walters
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Sky and Discovery need each other
Resolution to conflict was inevitable, but how long will it last?
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Michael Jackson comedy highlights dangers of celebrity biopics
Sky failed to learn from past controversies about depictions of real-life stars, says Stephen Arnell