Comment – Page 2
-
CommentFirst look at the Apple Vision Pro
Analyst Paolo Pescatore gives a first insight into the new tool, after attending its reveal at the 2023 Apple Worldwide Developers Conference
-
CommentWhy multi-language audio will “drastically change” YouTube content
Jesse Shemen, CEO and co-founder of AI dubbing firm Papercup, reveals his thoughts on YouTube’s latest feature
-
CommentThe growing influence of gaming VFX on the film and TV industry
Allan Poore at Unity explains how the lines between gaming and film technology are more blurred than ever
-
CommentHow we brought Eurovision to UK viewers
dock10 studio manager Adam Balcombe reveals the facility’s work as a production base for the BBC’s transmission
-
CommentThe creative use of generative AI in post-production
Graham McGuinness at Jigsaw24 Media explains how AI is already helping post-production with creating technical grades and post-producing scripted content
-
CommentThe rise of France as a VFX hub
Tony White explains why France could soon lay claim to being the next big home for visual effects
-
CommentIt’s time for an overhaul of TV ratings
Pierre De Lannoy, EMEA Strategy Director at MiQ on how TV ratings need to keep up with changing viewing habits
-
CommentMaking the South West a VFX and creative production hub
Lux Aeterna’s James Pollock outlines the work of the MyWorld project to bring high-end R&D to the region, especially around AI and real-time rendering
-
CommentHow Five Mile brought fixed rig to The Dog Academy
Executive producer Adam Chapman reveals why Five Mile Films went with fixed rig production
-
CommentAI – boon or bane?
Andre Torsvik, Vizrt VP of product marketing, analyses possible uses for AI in TV production
-
CommentCan cloud tech help broadcasters recalibrate news content to meet user demand?
Olivier Bovis, head of media solutions at Sony Europe argues broadcasters can glean important insights from how users engage with news content on social media and how cloud technology can assist
-
CommentVine FX: Why we moved out of Soho
Michael Illingworth of Vine FX explains his company’s journey out of Soho to Cambridge while establishing a global workforce
-
CommentWhy technical support is heading for a perfect storm
Ian Somerville at Jigsaw24 Media explains why dedicated specialist tech support is more essential than ever before
-
CommentGearing up for a world without traditional broadcast TV
Pierre de Lannoy at MiQ discusses how the industry can adapt to an internet-only TV environment
-
CommentUsing Dolby Atmos to distribute production music
Garry Judd at Artful Production Music explains why libraries should look to offer Dolby Atmos music mixes
-
CommentCOMMENT: A smarter way to work with metadata
Sunil Mudholkar, vice president of product management at EditShare on the value of handling metadata more efficiently
-
CommentHow AI can automate multi-language dubbing
Jesse Shemen, co-founder and CEO of Papercup explains how AI can help your content reach big global audiences on FAST platforms
-
CommentHow live production can tackle sustainability
Norbert Paquet, head of live production for Sony Europe, looks at the steps that can be taken
-
CommentTech updates offer a photo-real future for virtual production
Rob Chandler of Morden Wolf explains why Unreal Engine 5 and nVidia’s 4000 series graphic card will revolutionise virtual production
-
CommentCOMMENT: The value of hands-on training for creative roles
Rachel Nicholson at Backstage Academy highlights the importance of a skills-based education